PreSonus AudioBox USB Recording Interface

Bring your studio wherever you go with this compact 2-in/2-out USB-powered interface. The AudioBox comes bundled with Studio One Artist DAW software.

Product Description

Capture your ideas wherever you are with the PreSonus AudioBox USB 2x2 USB recording system. The AudioBox USB is a USB bus-powered audio recording interface featuring 2 microphone/instrument inputs with 48V phantom power, 2 balanced TRS outputs, and MIDI in/out.

The AudioBox USB is bundled with PreSonus Studio One Artist, the groundbreaking music creation program, and over 4 GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately.

Pedigree Preamplifiers

PreSonus Audio has won numerous awards for designing the highest quality microphone preamplifiers in the industry at all price levels. The AudioBox USB is loaded with preamps that out perform any USB-based interface hands down. The preamplifiers in the AudioBox deliver high headroom, low noise and high gain giving you pure, full and rich sound.

Professional 24-Bit Converters

Most USB recording devices operate at 16-bit sample rate and use converters with dynamic range of less than 90dB. This translates into a pinched and relatively small sound. The AudioBox USB uses professional-grade analog to digital converters with dynamic range of 102dB and 24-bit sample rate so that the digital conversion is big, quiet and musical.

USB Bus-Powered

The AudioBox USB is USB bus-powered allowing you to take it anywhere inspiration hits. No wall warts, line lumps or power cables, just plug in to a powered USB port and you are ready to record.

Ready to Hit the Road

There's no plastic here. The AudioBox USB is housed in an all-metal chassis with metal knobs ready to withstand the rigors of travel. Toss it in your laptop bag and mobilize your music creation and production. Whether you want to record your shows, mix on the plane or write songs in your hotel room, the AudioBox is ready.

Studio One Artist-Plus Gigabytes of Creative Resources

The AudioBox USB is bundled with an exceptional software package, featuring PreSonus Studio One Artist, the amazing DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 upgraded PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.

Compare Studio One Artist and bundled extras to what comes with competing mobile interfaces:

- All-meat, no-bloat, music-creation software with an intuitive, practical, single-window interface
- Unlimited tracks, insert effects, sends, virtual instruments, buses, and effects channels
- Powerful drag-and-drop functionality
- Content browser with convenient sort options and preview player
- Full-featured, flexible automation
- Powerful real-time auto/manual time-stretching and resampling engine
- Control Link(tm) (advanced MIDI mapping made easy)
- Twenty 32-bit Native Sound(tm) plug-ins, including reverbs, amp modeling, and EQ
- Four additional virtual instruments, including a sampler and an analog-type subtractive synth
- Ability to control the software mixer in any FireStudio-series interface to create zero-latency cue mixes.
- Gigabytes of third-party resources, including Native Instruments(tm) Kore(tm) Player with custom SoundPack (150 instruments), Native Instruments Guitar Rig LE, Toontrack(tm) EZDrummer Lite, and over 1.4 GB of loops

Microphone Preamp
- Type: XLR Female Balanced
- Frequency Response (+/-3.0 dB): 14 Hz to 70 kHz
- Input Impedance (Balanced): 1200 Ohm
- THD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain): < 0.008%
- EIN (A-weighted, 55dB Gain, 150 Ohm Input, 20Hz to 22 kHz): -115 dBu
- S/N Ratio (Unity Gain, Ref. = +4 dBu, 20Hz to 22 kHz): > 95 dB
- Common Mode Rejection Ratio (1 kHz, 55 dB Gain): > 45 dB
- Gain Control Range (+/- 1dB): 0 dB to 35 dB
- Max Input Level (Unity Gain, 1 kHz @ 0.5% THD+N): -3 dBu
- Phantom Power (+/-2 VDC): +48 VDC

Instrument Input
- Type: 1/4 in.
- TRS Female Unbalanced Input Impedance: 0.5 M Ohm

Line Outputs
- Type: 1/4 in. TRS
- Balanced Output Impedance: 51 Ohm

Headphone Output
- Type: 1/4 in. TRS Active Stereo
- Maximum Output: 60 mW/Ch @ 60 Ohm Load
- Frequency Response (+/-1.0 dB): 20 Hz - 30 kHz

MIDI I/O
- Type: Dual 5-pin Female DIN

Digital Audio
- ADC Dynamic Range (Awtd, 48 kHz Sample Rate): 102 dB
- DAC Dynamic Range (Awtd, 48 kHz Sample Rate): 110 dB
- Bit Depth: 24
- Reference Level for 0dBFS: +4 dBu
- Internal Sample Frequency Selections (kHz): 44.1, 48
- Power: USB Bus-powered

Physical
- Package Type: 1/3U - steel chassis
- Dimensions (WxHxD): 5.5 X 5.5 X 1.75 in.
- Weight: 5.0lbs

As a commitment to constant improvement, PreSonus Audio Electronics, Inc.reserves the right to change any specification stated herein at anytime in the future without notification.

System Requirements
Below are the minimum computer system requirements for the AudioBox USB.

Windows
- Windows XP SP2 or later, Windows Vista, Windows 7 (32- and 64-bit)
- Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)
- USB 1.1 Port
- Internet connection recommended
- DVD-ROM drive
- Internal or external 7200 RPM storage drive highly recommended

Macintosh
- Mac OS X 10.4.11 or later (10.5.2 or later or 10.6 recommended)
- PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)
- USB 1.1 Port
- Internet connection recommended
- DVD-ROM drive
- Internal or external 7200 RPM storage drive highly recommended

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.

PreSonus AudioBox 44VSL USB Audio Interface

Expand your sound with the 44VSL USB audio interface from PreSonus. Includes reverb, delay, compression, and many more effects.

Features:

- 24-bit/96 kHz, 4 x 4, USB 2.0 recording interface
- 4 Class A XMAX mic / instrument preamps
- 2 instrument inputs
- 2 balanced line inputs
- Balanced main L/R outputs
- 4 balanced line outputs
- Near-zero-latency monitoring with full effects and processing
- VSL (Virtual Studio Live): 8 x 4 ultra-low-latency software mixer with StudioLive 16.0.2 Fat Channel dynamics processing and EQ for each analog input and DAW return, plus two stereo effects buses with reverb and delay
- Over 50 Fat Channel processor presets for enhancing instrument and vocal recordings
- Analog monitor mixing with playback / input mix-control knob
- Clip lights for each channel
- USB Sync LED
- MIDI I/O
- Headphone amplifier
- Globally switchable phantom power
- Rugged metal chassis
- Rack-mountable in 1/2 rack space
- External 12 VDC power supply included
- Includes Studio One Artist software with unlimited track count and over 4GB of third-party resources

Microphone Inputs

Connector Type: Combo, XLR, female, balanced
Mic Preamp EIN: -133 dB, 20 kHz BW, max gain, Rs=40, A-wtd
Frequency Response: 20 Hz - 22 kHz, +/-0.25 dB, unity gain
THD+N: 0.002%, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
S/N Ratio: 98 dB, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
Gain Control Range: -15 dB to +65 dB
Input Max Headroom: +21 dBu, < 0.5% THD
Input Impedance: 10 k
Phantom Power: +48 VDC, 10 mA total

Line Inputs

Connector Type: Combo, 1/4-inch TRS, female, balanced
Frequency Response: 20 Hz - 22 kHz, +/-0.25 dB, unity gain
THD+N: 0.002%, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
S/N Ratio: 98 dB, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
Gain Control Range: -20 dB to +20 dB
Input Max Headroom: +21 dBu, < 0.5% THD
Input Impedance: 10 k

Instrument Inputs

Connector Type: Combo, 1/4-inch TS, female, unbalanced
Frequency Response: 20 Hz - 20 kHz, +/-0.25 dB, unity gain
THD+N: 0.003%, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
S/N Ratio: 89 dB, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd

Gain Control Range: -30 dB to +50 dB
Input Max Headroom: +21 dBu, < 0.5% THD
Input Impedance: 1 M

Analog Outputs

Connector Type: 1/4-inch TRS, female, impedance balanced
Frequency Response: 20 Hz - 20 kHz, +/-0.25 dB
THD+N: 0.003%, 1 kHz, 22 kHz BW, A-wtd
S/N Ratio: 109 dB, 1 kHz, 22 kHz BW, A-wtd
Output Level: +10 dBu, <0.5% THD
Output Impedance: 51

Headphone Outputs

Connector Type: 1/4-inch TRS, female, stereo
Maximum Power: 120 mW/ch @ 60 load
Frequency Response: 20 Hz - 20 kHz, +/-0.5 dB, max gain
THD+N: 0.01%, 1 kHz, max gain, 20 kHz BW, A-wtd
S/N Ratio: 90 dB, 1 kHz, max gain, 20 kHz BW, unwtd

Power

External Power Adapter: +12 VDC, 1 A, center-positive
Connector Type: Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length

Digital

Physical

1/2U rack-mountable (screw-mount to standard rack tray, not included)
Road-rugged construction with all-metal chassis and metal knobs
Weight 2.6 lb. (1.2 kg)
12 VDC external power supply (included)

System requirements:

Below are the minimum computer-system requirements for the AudioBox 1818VSL.

Windows

- Windows Vista, Windows 7 (32- and 64-bit)
- Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)

Macintosh

- Mac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)
- Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)
- 1 GB RAM (2 GB or more recommended)
- Windows and Macintosh Systems
- USB 2.0 Port
- Internet connection recommended
- DVD-ROM drive (required to install Studio One Artist)

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.

PreSonus AudioBox 1818VSL USB Audio Interface

Need more channels from your USB interface? The AudioBox1818VSL gives you 8 XMAX mic preamps, plus ADAT and S/PDIF I/O for up to 18 inputs and 18 outputs.

Features:

- 18 x 18 USB 2.0 audio and MIDI interface
- Virtual StudioLive Fat Channel software creates a 26 x 18 mixer for monitoring with reverb, delay, high-pass filter, dynamics processing, and EQ
- VSL software lets you manage processing and mixing functions from a Mac or PC
- 2 Combo mic/instrument inputs and 6 combo mic/line inputs with high headroom for efficient recording
- Sports the same high-headroom XMAX mic preamplifiers as PreSonus StudioLive mixers
- 96 kHz/24-bit converters with 114 dB dynamic range deliver clear, clean audio
- Comes with Studio One Artist DAW software
- 120 mW headphone output onboard so you can hear your work loud and clear

Since Studio One Artist software comes with the AudioBox 1818VSL, you have everything you need to get started recording, right out of the box: DAW software, an 18-channel audio interface, a virtual mixer, dynamics processing and EQ, and reverb and delay effects on dedicated buses.

Microphone Inputs

Connector Type: Combo, XLR, female, balanced
Mic Preamp EIN: -133 dB, 20 kHz BW, max gain, Rs=40, A-wtd
Frequency Response: 20 Hz - 20 kHz, +/-0.25 dB, unity gain
THD+N: 0.002%, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
S/N Ratio: 97 dB, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
Gain Control Range: -15 dB to +65 dB
Input Max Headroom: +16 dBu, < 0.5% THD
Input Impedance: 1.7 k
Phantom Power: +48 VDC, 10 mA total

Line Inputs

Connector Type: Combo, TS, female, unbalanced
Frequency Response: 20 Hz - 20 kHz, +/-0.25 dB, unity gain
THD+N: 0.002%, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
S/N Ratio:
98 dB, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd

Gain Control Range: -20 dB to +20 dB
Input Max Headroom: +21 dBu, < 0.5% THD
Input Impedance: 10 k

Instrument Inputs

Connector Type: Combo, 1/4-inch TS, female, unbalanced
Frequency Response: 20 Hz - 20 kHz, +/-0.25 dB, unity gain
THD+N: 0.003%, +4 dBu, 1 kHz, unity gain, 22 kHz BW, A-wtd
S/N Ratio:
89 dB, 0 dBu, 1 kHz, unity gain, 20 kHz BW, unwtd

Gain Control Range: -30 dB to +50 dB
Input Max Headroom: +21 dBu, < 0.5% THD
Input Impedance: 1 M

Analog Outputs

Connector Type: TRS, female, impedance balanced
Frequency Response: 20 Hz - 20 kHz, +/-0.25 dB
THD+N: 0.003%, 1 kHz, 22 kHz BW, A-wtd
S/N Ratio: 109 dB, 1 kHz, 22 kHz BW, A-wtd
Output Level: +10 dBu, <0.5% THD
Output Impedance: 51

Headphone Outputs

Power

External Power Adapter: +18 VDC, 2.6A, center-positive
Connector Type: 5.5 mm OD, 2.1 mm ID, 9.5 mm length

Digital

ADC Dynamic Range: 114 dB, 48 kHz, A-wtd
DAC Dynamic Range: 114 dB, 48 kHz, A-wtd
Host Interface: USB 2.0 high-speed
Bit Depth: 24-bit
Sample Rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Latency: 2.8 ms - 6 ms, analog in to out
ADAT Optical I/O: Toslink(TM) connectors, ADAT/SMUX formats
S/PDIF I/O: RCA female connectors
Word Clock Output: BNC connector, 4.5 Vpp @ 75 load
MIDI I/O: 5-pin DIN connectors

Physical

1U rack-mountable
Road-rugged construction with all-metal chassis and metal knobs
Weight 4.6 lb. (2.1 kg)
18 VDC external power supply (included)

System requirements:

Below are the minimum computer system requirements for the AudioBox 1818VSL.

Windows

- Windows XP SP3, Vista x64/x32 SP2, Windows 7 x64/x32 SP1, Windows 8 x64/x32
- Intel Core Duo or AMD Athlon X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
- 2 GB RAM (4 GB or more recommended)

Macintosh

- Mac OS X 10.6.8 or later
- Intel Core Duo processor (Intel Core 2 Duo or Intel Core i3 or better recommended)
- 2 GB RAM (4 GB or more recommended)

Windows and Mac Systems

- USB 2.0 Port
- Internet connection (only for activation)
- DVD-ROM drive
- Monitor with at least 1024x768 resolution
- 20 GB hard-disk space
- Internal or external 7200 RPM storage drive highly recommended

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.

Steinberg CI1 USB Audio Interface

This intuitive interface and accompanying software package introduces the novice engineer to the possibilities of at-home recording.

Product Description

For hobby musicians, guitarists, singers or electronic music producers as well as for all audio affine tasks -- the CI1 USB studio, together with Sequel LE and WaveLab LE, offers the ultimate entry-level recording, editing and producing system solution. CI1, Sequel LE and WaveLab LE provide a host of tools to meet the individual demand of each and every user -- with outstanding audio quality, massive features, all at a mind-blowing price!

Music and Audio Enthusiasts

CI1 and the included software package provide great possibilities to create, record, edit and produce your own music and audio material. With its intuitive music creation tools and the included Sequel LE version you have all you need to create songs -- even if you don't have any musical skills. CI1 along with the light editions of Sequel and WaveLab present the ideal tool kit for editors and podcasters looking to record speech, publish podcasts and produce audio books. On the hardware side, the CI1's two-channel inputs with +48V phantom power and high-quality mic preamps provide all capabilities necessary to connect any dynamic or condenser microphone for recording professional audio material. The bundled software applications, Sequel LE and WaveLab LE, provide the tools required to record music, edit audio material and master productions, with the additional option to publish it all on the web.

Instrumentalists

Guitarists benefit greatly from the CI1 interface and Sequel LE software. The HI-Z input on the CI1 lets the guitarist plug an electric guitar or bass directly into the CI1 without the need for an additional DI box. The great-sounding AmpSimulator in Sequel LE provides various ready-made sound templates of different styles. And the simplicity of creating a new project with loops and sounds gives the musician all the features to create tracks to jam along to.

Cubase Owner

CI1 is, simply put, the ideal low-cost audio interface for any Cubase owner who needs to record vocals, instruments, keyboards, percussion or any other audio source. With it's two fantastic-sounding microphone inputs comprising balanced XLR/jack combo connectors and high-quality microphone preamps and the onboard +48V phantom power, as well as the HI-Z on input 1 the CI1 provides all the functionality an audio interface should provide.

USB Audio Interface

The CI1 USB-powered studio is a straight-forward audio interface without frills and fuss. Housing two microphone inputs with balanced XLR/TRS combo connectors, high-quality microphone preamps and onboard phantom power, CI1 allows you to use just about any microphone. And with the dedicated high-impedance switch on the first input channel you can jack your electric guitar or bass directly into the CI1. But it's not all hardware -- CI1 comes with a great software bundle. Sequel LE is designed for first-time computer music aficionados looking to record their music with ease while WaveLab LE boasts audio editing, mastering and full internet audio publishing features. All this makes CI1 your very own mobile recording studio!

USB Powered

The CI1 is powered by a computer's USB. And by simply connecting the CI1 to a USB port the user gets immediate full control of Cubase. Even the +48 V phantom power of the two microphone inputs doesn't require an additional power supply. With the CI1 being fully USB-powered, it's no problem to record music whenever and wherever without having to find a mains outlet. The user can simply plug the CI1 into a notebook, connect a microphone or guitar and start jamming on the spot.

Two High-Quality Mic Preamps

The CI1 provides two fantastic-sounding microphone inputs comprising balanced XLR/jack combo connectors and high-quality microphone preamps, each equipped with individual gain control and a Peak LED. With the onboard +48 V phantom power, the user can record at home or on the move using just about any dynamic or condenser microphone.

Direct Connection of Guitars

The first input channel comes with a dedicated high-impedance switch, letting the user jack an electric guitar or bass directly into the CI1 via the XLR/jack combo input.

Optional Accessories

The optional mic stand adapter BMS-10A allows the user to attach the CI1 to a microphone stand and adjust it to a position that fits to his/her personal needs.

Studio Quality Standard

With 24-bit resolution and a sampling rate of 48 kHz, the CI1 offers a professional digital audio recording standard that lets the user record the music in studio quality. The CI1 is a high-quality audio hardware built by and designed together with Yamaha to provide a build quality that can only be described as truly professional.

Hardware Latency-Free Monitoring

The Mono button on the CI1 allows analog inputs 1 and 2 to be used either as separate mono channels or as a stereo pair feeding just one side (L/R) of the monitor outs. With the Mix level control, the user can adjust the balance between the input signal and the playback signal from the software application, so that the input signal can be monitored without any latency.

Individual Master Level and Phones Level

The Line outputs of the CI1 are equipped with balanced TRS connectors, providing professional output studio connectivity. The Phones output is also equipped with a professional 6.3 mm TRS connector. The signal levels of the Master outputs and the Phones output can be adjusted independently. The headphones signal is not affected by the Master volume control.

Minimum System Requirements

The minimum system requirements state the minimal specification your computer must have to be able to use the software.

Mac

Supported operating systems: Mac OS X 10.5.5 and 10.6

Mac computer with an Intel processor recommended

1024 MB RAM

Display resolution of 1280 x 800 recommended

DVD-ROM drive

1 GB of free HD space

USB component port for CI2 connection

Internet access required for license activation

Windows

Supported operating system: Windows XP SP3 (32-bit), Windows Vista (32-bit/64-bit) or Windows 7 (32-bit/64-bit)

2 GHz CPU (dual core CPU recommended)

1024 MB RAM

1 GB of free HDD space

Display resolution 1280 x 800 pixels

DVD-ROM drive

USB component port for CI1 connection

Internet connection for license activation

Dimensions and Weight in Packaging

Steinberg Cubase 7 Recording Pack with UR22 Interface

Get the whole package: a UR22 USB interface, Cubase 7 software, MXL large-diaphragm condenser mic, Mogami XLR cable and headphones. Just add your Windows PC!

Features:

System Requirements:

- Mac OS X 10.7 / 10.8* Mac OS X 10.6.4 or higher Mac OS X 10.5.8 or higher Intel dual core CPU
- CoreAudio compatible audio hardware
- Windows 7 / Windows 8 Windows XP SP3 Intel or AMD dual core CPU
- Windows compatible audio hardware**
- 2 GB RAM 4 GB of free HD space
- Display resolution of 1280 x 800 recommended CD-ROM drive USB component port
- Internet connection required for installation, activation, account setup and personal / product registration.

Steinberg UR22 USB Audio Interface

With two XLR microphone preamps, MIDI I/O, zero-latency monitoring, and a Hi-Z input for guitar, this 192 kHz/24-bit USB interface has everything you need.

Features:

- 24-bit/192 kHz USB 2.0 audio interface
- 2 Class-A D-PRE mic preamps supporting +48V phantom power
- 2 Analog XLR/TRS combo inputs (Hi-Z switch on input 2 for electric guitar), 2 TRS line outputs
- MIDI input and output
- Headphones jack with independent level control
- Zero-latency hardware monitoring with mix balance knob
- USB-powered for mobile recordings
- Rugged full-metal housing
- Cross-platform compatibility with major recording software applications
- Best performance with included Cubase AI music software

MIC INPUT 1/2 (Balanced):
- Frequency Response: +0.1/-0.3dB, 20Hz to 20kHz
- Dynamic Range: 95dB, A-Weighted
- THD+N: 0.008%, 1kHz, -1dBFS, 20Hz/20kHz BPF
- Maximum Input Level: -10dBu
- Input Impedance: 4k Ohm
- GAIN Range: +16dB - +60dB

LINE INPUT 1/2 (Balanced):
- Maximum Input Level: +16dBu
- Input Impedance: 20k Ohm
- GAIN Range: -10dB - +34dB

HI-Z INPUT 2 (Unbalanced):
- Maximum Input Level: -4dBV
- Input Impedance: 470k Ohm
- GAIN Range: +8dB - +52dB

LINE OUTPUT 1/L 2/R (Impedance Balanced):
- Frequency Response: +0.1/-0.6dB, 20Hz to 20kHz
- Dynamic Range: 101dB, A-Weighted
- THD+N: 0.006%, 1kHz, -1dBFS, 20Hz/20kHz BPF
- Maximum Output Level: +10dBU
- Output Impedance: 150 Ohm

PHONES:
- Maximum Output Level: 6mW+6mW, 40 Ohm

Steinberg MR816X Advanced Integration DSP Studio FireWire Audio Interface

Get the hardware that maximizes the potential of Cubase software. This interface gives you latency-free recording and monitor mixing.

Features

- True Integrated Monitoring with full faderless mixing: no latency, DSP-powered reverb and dynamic 1:1 hardware/software mirroring with Cubase
- Complete Cubase user interface integration throughout: direct access from Cubase with no additional software mixing application or external windows required
- Eight discrete Class A analogue 'D-Pre' mic preamps with combination XLR and TRS analogue inputs with advanced inverted Darlington circuits, hardware gain knob, phantom power and -26dB Pad switch per channel
- Quick Connect: next-generation of plug and play as well as on-the-fly routing of inputs to Cubase channels from the hardware with the push of a button
- DSP Power for Cubase: VST3 onboard DSP-powered REV-X reverb: also available within Cubase during mixing
- Instant setup: Cubase automatically detects the MR hardware and comes with ready made templates as well as automatic project I/O configuration
- Full, flexible connectivity: eight analogue, one ADAT, one S/PDIF and Coaxial I/O and WordClock sync
- Extendable system with daisy-chaining of up to three units providing up to 24 analogue inputs and outputs
- Includes Cubase AI5: hassle-free recording and creating music right out of the box thanks to the fully featured starter version of the world's most popular music production software platform
- Supports Apple OS X 10.4/10.5 and Windows XP/Vista : includes ASIO and CoreAudio drivers as well as additional external software mixer and plug-in editors for using with 3rd party audio software

Differences Between the MR816CSX and MR816X

Basically the MR816CSX and MR816X are the same device. The only but not unimportant difference between those two units are the eight DSP-powered channelstrips that the MR816CSX provides. The innovative Sweet Spot Morphing Channel Strip is a unique compression and EQ tool that runs on DSP inside the MR816CSX.

All other features of the both units are the same: Both provide best sound quality and outstanding preamps as well as the same quantity of inputs and outputs. Also MR8168 CSX and MR816X offer one REV-X reverb, a complex reverb algorithm developed by Yamaha which provides a high-density, richly reverberant sound quality, with smooth attenuation, spread and depth that work together to enhance the original sound.

True Integrated Monitoring

Offering real-time, independent and most importantly no-latency mixes with FX for several performers is an engineering challenge in itself, and there are only one or two FireWire I/O interfaces on the market that can achieve this. Even these units are functionally isolated from the DAW software forcing the user to use additional mixing applications, in turn hampering workflow and splintering what should be a truly integrated production system.

The answer? Cubase and MR816X. A solution defined by its ease-of-use, flexibility and pure functional elegance. Running with Cubase, MR816X removes any need for additional mixing software between DAW and I/O - all aspects of I/O handling, DSP management and independent performer mixes are handled directly from within Cubase itself. With Cubase 4, these performer mixes are realized using the Studio Sends in the Control Room - a unique system that is completely integrated into the Cubase 4 mixer.

With the unique True Integrated Monitoring technology, Cubase manages all audio streams with perfect sync. No-latency mixes for performers with DSP FX are managed side-by-side with mixes played back through the Cubase audio engine that combine hard disk audio data and live streams being recorded at the same time - all within Cubase. Combined with other unique features, True Integrated Monitoring allows a highly efficient workflow that boosts productivity to new levels. The technological know-how required for this level of integration results directly from the ongoing cooperation between Steinberg software engineers and the hardware experts at Yamaha.

Flexible I/O

MR816X provides all the audio I/O connectivity needed for any audio recording situation:

- Eight 'D-Pre' XLR/TRS combo connectors with Class A discrete preamps with +48v and -26dB pad switch per channel
- Eight analog balanced TRS outputs for separate studio performer mixes and a variety of different monitoring setups
- One Hi-Z input for electric guitar or bass
- Optical input and output port for ADAT digital audio streams or S/PDIF optical
- S/PDIF coaxial input and output
- WordClock port
- Two independent headphone outputs with individual level control from the front panel
- Two inserts for integration of additional hardware FX

D-Pre Mic Preamps

The MR816X features the next generation of Yamaha microphone preamps: The 'D-Pre'. Meticulously engineered to the highest standards, these discrete Class A analog mic preamps feature combination XLR and TRS analog inputs for connection of 8 1/4" jack plugs or standard XLR connectors, supporting both balanced and unbalanced signals. Each D-Pre is fitted with a -26dB Pad selector as well as true 48 volt phantom power per channel. An additional phase inversion capability and High Pass filter are available directly from the Cubase mixer or MR Editor software via remote control.

What sets these preamps apart? The audio quality of the eight D-Pres can only be described as stunning. Each utilizes an advanced Inverted Darlington circuit design and electronics components specifically designed for the MR816CSX and MR816X. The result is a sumptuously smooth and richly detailed sound normally only attained by preamps costing many times more; the outstanding sound of these mic pres obviate the need for all but the rarest vintage preamps.

Just as important as the preamps are, of course, the converters behind them. The MR816X includes first-rate A/D and D/A converters that offer absolutely crystal-clear sound that portrays the sound with astonishing precision and clarity.

Each D-Pre is paired with a useful signal/peak lamp that lights up green when a signal between -40dB and -3dB is connected, warning with a red light if levels reach -3dB. Unlike many other preamps, the red warning light alerts the engineer not just when it's already "too late" and a signal has already clipped the converter behind it, but indicates that gain levels should be checked and monitored closely.

DSP Power for Cubase

On top of its excellent I/O capability, the MR816X features an onboard DSP chip that runs renowned REV-X reverb, which is also featured on many top Yamaha hardware mixing consoles.

Each independent monitor mix can utilize the DSP capability to add an excellent reverb that every performer will feel extremely comfortable performing to. Optionally, the FX can be included in the signal recorded to the input track. The signal can, of course, also be recorded dry with no FX or bypassed completely.

The Advanced Integration of MR816X in Cubase goes even further. The REV-X reverb is also available as VST3 plug-in in Cubase when mixing! This adds additional first-class FX capability that is available even when the computer's CPU is running under a high load.

For Cubase owners, MR816X combines not only outstanding I/O capability, extremely easy handling and no-latency monitor mixing, but also a powerful DSP capability - a peerless combination with an almost unbeatable price/performance ratio.

REV-X Reverb

The REV-X built into the MR816X is a complex reverb algorithm developed by Yamaha. It provides a high-density, richly reverberant sound quality, with smooth attenuation, spread and depth that work together to enhance the original sound. Yamaha's REV-X digital reverb algorithm is renowned for its high resolution and extraordinarily natural sound.

The MR816X features three types of reverb effects: Hall, Room and Plate simulations with reverb time and level control. Reverb Time and Level can be controlled either through Cubase or from the front panel of the MR 816 X. This superlative reverb processor also featured on Yamaha's premiere digital consoles is ideal for monitoring mixes for performers, but also adds a further excellent reverb to your available VST plug-ins on mixdown.
Complete Cubase user interface integration throughout

MR816X features direct integration into Cubase through unique windows and views within Cubase that appear only when they are connected. These interface element allow full control of the hardware's functionality from within Cubase itself. This includes not only the REV-X reverb DSP effect, but almost all hardware functionality in the MR816X including performer mixes and their levels, phantom power selection, -26dB pad, High Pass filters and phase inversion switch per input channel.

The benefits are an extremely fast and intuitive workflow that handles software and hardware effectively as one system! Attention is focused on Cubase at all times without creative flow being broken off by having to open or edit in other applications. And because the features are all embedded in the Cubase graphic environment, they're very intuitive to use for anyone who is already used to Cubase - no need to adjust to another graphic environment to adjust levels for performer mix, for example. This is only one of the many Advanced Integration features between MR816X and Cubase, which effectively meld hardware and software together into perhaps the most sophisticated production system available today.

Quick Connect

As soon as the drivers are installed, Cubase automatically recognizes when the MR816X is connected, featuring complete plug and play and very fast setup. MR816X offers another stunningly unique feature: instant routing and rerouting of inputs to Cubase channels on the fly from the front panel of the I/O with the push of a single button! Just select a Cubase channel, and press a channel button on the I/O front panel, and that channel is instantly routed to the selected track. To help quickly identify which input is routed to the selected Cubase track, the front panel light for the channel flashes, showing which input is currently routed to that track.

Setting up a project with MR816X is extremely easy and intuitive. Templates offer pre-made setups with routing and I/O configurations already set up, automatically creating and assigning inputs and outputs for connected devices. Additionally, if no input busses have yet been created within the project, selecting a Cubase track and pushing the button of the desired channel on the front panel not only routes that input to that track, but automatically creates either a mono or stereo bus as desired.

The bottom line? No need to manually create busses or reassign I/Os in the VST Connections window, with obvious benefits for project workflow. No other combination of FireWire hardware and software offers such flexible and intuitive I/O handling within a software DAW. As one of the unique Advanced Integration features, Quick Connect helps MR816X integrate completely into Cubase to form a next-generation software and hardware system that discards traditional boundaries between these two previously separate worlds.

Extendable System

Developed using advanced technologies to offer seamless scalability, this mixing and recording system offers many options to increase the number of available inputs, preamps, outputs and DSP capability - all on the same FireWire port. Up to three MR816Xs can be used simultaneously by connecting them in daisy-chain fashion to a computer via IEEE1394 cables.

The number of available channels for input and output across the system can be easily expanded simply by adding up to two more MR816X. MR816X supports up to 48 input and output channels - using only one FireWire port on the computer. All connected I/Os are recognized by Cubase simultaneously, with no additional setup required. Cubase also automatically assigns the correct I/O port configuration for one, two or three units, depending on how many are connected. Even when multiple MR816Xs are connected, parameters such as those for digital audio input/output and REV-X are available for each device individually.

The available DSP power of the entire system is also scalable with the addition of more units, as each DSP is available to Cubase in the form of VST3 plug-ins during mixdown. A system composed of three MR816X offers not only 48 inputs and outputs, but also three instances of high-quality REV-X reverb.

Because of the highly flexible driver architecture, both MR816CSX and MR816X models are fully compatible with each other and run daisy-chained together on the same system, allowing full flexibility in creating a customized system that offers the needed number of inputs, outputs and DSP capability.

Minimum System Requirements
Mac
Tools for MR816 CSX
- OS X version 10.4 or 10.5x
- Power Mac G4 1 GHz or Intel Core Solo 1.5 GHz
- 512 MB RAM
- DVD drive required for installation
- FireWire port required for connection of MR unit

Cubase AI 4.5
- OS X version 10.4 or 10.5x
- Power Mac G4 1 GHz or Intel Core Solo 1.5 GHz
- 512 MB RAM
- Display resolution 1280x800 pixels
- DVD drive required for installation
- Internet connection required for license activation

PC
Tools for MR816 CSX
- Windows XP Professional (SP2), XP Home Edition (SP2) or Vista (32-bit)
- Intel/AMD processor 1.4 GHz
- 512 MB RAM
- DVD drive required for installation
- FireWire port required for connection of MR unit

Cubase AI 4.5
- Windows XP Professional (SP2), XP Home Edition (SP2) or Vista (32-bit)
- Intel/AMD processor 1.4 GHz
- 512 MB RAM
- Display resolution 1280x800 pixels
- DVD drive required for installation
- Internet connection required for license activation

Steinberg UR824 USB Audio Interface

This one-rack-space 96 khz/24-bit USB interface gives you tons of I/O: eight mic preamps, two pairs of ADAT optical, word clock I/O, and eight line outputs.

Features:

- 24-bit/96 kHz USB 2.0 audio interface

- Analog 8 in and 8 out with 8 D-Pre Class-A discrete mic preamps supporting +48 V

- 2 pairs of ADAT optical I/O (doubles as S/PDIF) provide 16 in and 16 out (S/MUX compatible, 8 in and 8 out @ 96 kHz)

- Latency-free DSP-powered monitoring with one REV-X reverb and 8 Channel Strips with any DAW by using dspMixFx technology

- Native VST 3 plug-ins of REV-X and Sweet Spot Morphing Channel Strip included

- 2 separate headphone buses with individual outputs

- Word clock I/O with 2 BNC connectors plus JetPLL ultra-low jitter support

- Cross-platform compatibility: Cubase AI DAW software and drivers for Mac OS X and Windows

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MIC/LINE INPUT (Balanced):

- Frequency Response: +0.1/-0.1 dB, 20 Hz to 22 kHz

- Dynamic Range: 105 dB, A-Weighted

- THD+N: 0.0014%, 1 kHz, -1 dBFS, 22 Hz/22 kHz BPF

- Crosstalk: >125 dB, 1 kHz

- Maximum Input Level: +24 dBu

- Input Impedance: 4k Ohm

- Maximum Gain: 60 dB

- Adjustable Gain: 44 dB

- Pad: -26 dB

- HI-Z INPUT (Unbalanced):

- Maximum Input Level: +10 dBV

- Input Impedance: 1M Ohm

- LINE OUTPUT (Balanced):

- Frequency Response: +0.1/-0.1 dB, 20 Hz to 22 kHz

- Dynamic Range: 117 dB, A-Weighted

- THD+N: 0.0009%, 1 kHz, -1 dBFS, 22Hz/22 kHz BPF

- Crosstalk: >130 dB, 1 kHz

- Maximum Output Level: +18 dBu

- Output Impedance: 75 Ohm

- PHONES 1/2: Maximum Output Level: 75 mW+75 mW, @40 Ohm

- USB: USB 2.0, 24 bit, 44.1 kHz/48 kHz/88.2 kHz/ 96 kHz

- XLR INPUT Polarity:

- Pin 1: Ground

- Pin 2: Hot (+)

- Pin 3: Cold (-)

- Power Requirements: 38.4 W (PA-300C or equivalent)

- Dimensions: 480 x 44 x 275 mm

- Net Weight: 3.1 kg

- Operating Free-air -Temperature Range: 0 to +40 degrees C

Dimensions and Weight in Packaging

ALVA Nanoface USB Audio and MIDI Interface

With two mic preamps, a Hi-Z input, two more analog inputs, optical S/PDIF and MIDI I/O, this sleek desktop interface could be the heart of your home studio

Features:

Portable & Functional
Sound quality, extraordinary features and ease of use with real analog hardware monitoring and low latency drivers for both Windows and Mac OS X - all together in a lightweight and portable housing.

Supports Six Audio Inputs & Six Audio Outputs
The Nanoface provides six audio inputs and six audio outputs -- enough for a small home studio, a DJ setup or even a home theater surround sound setup. There's a MIDI input and two MIDI outputs, which forms a perfect combination to connect a keyboard and external synthesizers/samplers.

Analog Inputs x 4
The two analog XLR inputs are equipped with two high-quality mic preamps, which allow the simultaneous recording of different sources at the same time - like a microphone, electric guitar and synthesizer. Plus, there are stereo analog RCA Left and Right audio inputs as well.

Analog Outputs x 4
With stereo analog RCA Left and Right audio outputs, as well as a stereo two-channel headphone output jack, the four analog outputs provide a flexible setup for monitoring.

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- Number of Channels: 12
- Phantom Power: Yes (48V)
- Mic Preamps: Analog microphone preamps x 2
- Microphone Inputs: Analog XLR microphone inputs x 2 (with dual mic preamps)
- RCA Connector: Analog RCA L/R input connectors x 2
- Analog RCA L/R output connectors x 2
- Digital Connectivity: Digital Optical SPDIF input x 1
- Digital Optical SPDIF output x 1
- Headphone Connector: Analog stereo headphone 1/4" (6.35mm) jack
- Instrument Support: Hi-Z instrument input 1/4" (6.35mm) jack
- MIDI Connectors: MIDI input connector x 1
- MIDI output connectors x 2
- USB Port: USB 3.0/2.0 port
- Bus-Power: Yes (USB)
- Controller: "Encoder" multi-controller
- Compatibility: Windows OS
- Mac OS X

Tascam US-366 USB Audio and MIDI Interface

The US-366 has 2 XLR mic pres, a Hi-Z input, and MIDI I/O -- plus onboard DSP for running compressors, EQ, and reverbs without bogging down your computer.

Features:

- High-quality HDDA (High Definition Discrete Architecture) mic pre-amps
- Up to 24bit/192kHz recording
- Two XLR/TRS (MIC/LINE) inputs with full +48V phantom power supply
- Low-latency monitoring via DSP mixer
- On-board digital mixer (DSP mixer) delivers two operation modes
- On-board digital effects (DSP effects)
- Dedicated "MIXER PANEL" button recalls DSP mixer with one-click
- Oversized LINE OUT volume knob
- Two TRS analog balanced outputs
- Two RCA analog unbalanced outputs
- 18mW+18mW headphone output
- Desktop design provides highly stability and usability
- Aluminum body provides premium looks and luxurious feel
- USB bus-powered for mobile recording
- Steinberg Cubase LE6 bundle (Included CUBASE LE can not record by 192kHz)
- LINE 3-4 connectors can select between input or output, up to six inputs or six outputs(When operating on 192kHz, LINE 3-4 connectors outputs same signal as digital output.)
- Coaxial/Optical digital input and output (one input connector available at a time)
- RC-3F optional footswitch ready

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Supported sampling frequency: 44.1/48/88.2/96/176.4/192kHz
- Supported bit rate: 16/24bit (Internal operation is 24bit)
- Analog audio Inputs
- MIC IN (INPUT 1/L, 2/R): XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED
- Input impedance: 2.2kohms
- Nominal input level (INPUT:MAX): -65dBu
- Nominal input level (INPUT:MIN): -22dBu
- Maximum input level (INPUT:MIN) :-6dBu
- LINE IN (INPUT 1/L, 2/R) : 6.3mm(1/4 in.) TRS-jack(T:HOT, R:COLD, S:GND), BALANCED
- Input impedance: 15kohms(LINE)/1Mohms(GUITAR)
- Nominal input level (INPUT:MAX) :-39dBu(LINE)/-55dBV(GUITAR)
- Nominal input level (INPUT:MIN) : +4dBu(LINE)/-12dBV(GUITAR)
- Maximum input level (INPUT:MIN) : +20dBu(LINE)/+4dBV(GUITAR)
- LINE OUT (LINE OUT 1/L, 2/R) : 6.3mm(1/4 in.) TRS-jack(T:HOT, R:COLD, S:GND), BALANCED
- Output impedance: 100ohms
- Nominal output level: +4dBu
- Maximum output level: +20dBu
- LINE OUT (LINE I/O 3-4) : RCA pin-jack (When set to "OUTPUT" at LINE I/O switch)
- Output impedance: 200ohms
- Nominal output level: -10dBV
- Maximum output level: +6dBV
- PHONES:
- Connector: 6.3mm(1/4 in.) stereo phone jack
- Maximum output level: 18mW+18mW or more(THD+N 0.1% or less, 32ohms loaded)
- USB
- Connector: USB B type 4-pin
- Format: USB2.0 HIGH SPEED mass storage class
- Power: USB bus powered (5V, Max 500mA)
- Power consumption: 2.5W
- Dimensions (W x H x D): 140 x 42 x 140 mm
- Weight: 500g
- Operating temperature: 5-35 degrees C
- Bundle software: Cubase LE6
- Accessories: CD-ROM (includes dedicated driver), USB cable (1.5m), DVD-ROM (Cubase LE6),
- Insert sheet for Cubase LE, Warranty card
- Audio performance
- ADC chip set dynamic range: 102dB *1
- DAC chip set dynamic range: 106dB *2
- Frequency response
- Mic preampr: 10Hz to 68kHz, +0.5/-3.0dB
- MIC IN to LINE OUT: 10Hz to 40kHz, +0.5/-3.0dB
- MIC IN to PHONES: 10Hz to 30kHz, +0.5/-1.0dB
- THD: 0.0045% or less *3
- S/N ratio: 98dB or more *4
- EIN: -120dBu or less *5

System Requirements

- Windows OS:
- Windows XP:32bit SP3 or more, 64bit SP2 or more
- Windows 7:32bit, 64bit
- Windows 8:32bit, 64bit
- DRIVER: ASIO2.0, WDM(MME)
- Macintosh
- OS: Mac OS X Snow Leopard(10.6.8), OS X Lion, OS X Mountain Lion
- DRIVER: Core Audio

Tascam US-322 USB Audio and MIDI Interface

With a stereo-mix mode that's ideal for tracking podcasts, plus built-in compressor, EQ, and reverb effects, this USB interface is a home-studio workhorse.

Features:

- 2 XLR mic inputs with HDDA mic pres and +48V phantom power
- On-board digital mixer with selectable "Multi-track" or "Stereo mix" modes
- Built-in Effects: Insert, Compressor, EQ Send, Reverb
- Low-latency monitoring via the digital mixer
- Mixer panel provides intuitive operation for mixing and effects
- Output selector for each output
- Two balanced XLR microphone/TRS line inputs
- TRS balanced Line Outputs
- 1/4" TRS headphone output
- Cubase LE6 is included*
- 2-in/2-out USB audio interface
- 24bit/96kHz recording
- RCA line outputs

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Supported sampling frequency: 44.1/48/88.2/96/176.4/192kHz
- Supported bit rate: 16/24bit (Internal operation is 24bit)
- Analog audio Inputs
- MIC IN (INPUT 1/L, 2/R): XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED
- Input impedance: 2.2kohms
- Nominal input level (INPUT:MAX): -65dBu
- Nominal input level (INPUT:MIN): -22dBu
- Maximum input level (INPUT:MIN) :-6dBu
- LINE IN (INPUT 1/L, 2/R) : 6.3 mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED
- Input impedance: 15kohms(LINE)/1Mohms(GUITAR)
- Nominal input level (INPUT:MAX) :-39dBu(LINE)/-55dBV(GUITAR)
- Nominal input level (INPUT:MIN) : +4dBu(LINE)/-12dBV(GUITAR)
- Maximum input level (INPUT:MIN) : +20dBu(LINE)/+4dBV(GUITAR)
- LINE OUT (LINE OUT 1/L, 2/R) : 6.3 mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED
- Output impedance: 100ohms
- Nominal output level: +4dBu
- Maximum output level: +20dBu
- LINE OUT (LINE I/O 3-4) : RCA pin-jack (When set to "OUTPUT" at LINE I/O switch)
- Output impedance: 200ohms
- Nominal output level: -10dBV
- Maximum output level: +6dBV
- PHONES
- Connector: 6.3mm(1/4 in.) stereo phone jack
- Maximum output level: 18mW+18mW or more(THD+N 0.1% or less, 32ohms loaded)
- USB
- Connector: USB B type 4-pin
- Format: USB2.0 HIGH SPEED mass storage class
- Power: USB bus powered (5V, Max 500mA)
- Power consumption: 2.5W
- Dimensions (W x H x D): 140 x 42 x 140 mm
- Weight: 500g
- Operating temperature: 5-35 C
- Bundle software: Cubase LE6
- Accessories: CD-ROM (includes dedicated driver), USB cable (1.5m), DVD-ROM (Cubase LE6),
- Insert sheet for Cubase LE, Warranty card
- Audio performance
- ADC chip set dynamic range: 102dB *1
- DAC chip set dynamic range: 106dB *2
- Frequency response
- Mic preampr: 10Hz to 68kHz, +0.5/-3.0dB
- MIC IN to LINE OUT: 10Hz to 40kHz, +0.5/-3.0dB
- MIC IN to PHONES: 10Hz to 30kHz, +0.5/-1.0dB
- THD: 0.0045% or less *3
- S/N ratio: 98dB or more *4
- EIN: -120dBu or less *5

System Requirements

- Windows OS:
- Windows XP:32bit SP3 or more, 64bit SP2 or more
- Windows 7:32bit, 64bit
- Windows 8:32bit, 64bit
- DRIVER: ASIO2.0, WDM(MME)

- Macintosh
- OS: Mac OS X Snow Leopard(10.6.8), OS X Lion, OS X Mountain Lion
- DRIVER: Core Audio

IK Multimedia iRig Pro iOS and PC Audio MIDI Interface

Plug your guitar, MIDI controller, or even a condenser microphone into the iRig Pro. This interface sends MIDI or audio to your PC, Mac, iPad or iOS device.

Features:

- Balanced audio input for a microphone, line-level signals, or instruments (Hi-Z), via XLR-1/4" combo connector
- Preamp gain control
- MIDI input
- High-quality low-noise, high-definition mic and instrument preamp
- High-quality 24-bit A/D conversion
- Powered by the iPhone, iPod touch, iPad or USB device
- +48V phantom power powered by 9V battery
- Ultra-compact and light-weight with sturdy, durable construction
- Comes with 5 apps: AmpliTube, VocaLive, iRig Recorder, SampleTank, iGrand free apps

NOTE: iPad, and iPhone/iPod not included.

- Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
- Maximum Input Level: from 30 mVpp to 6.9 Vpp
- Instrument Input Impedance: 620 kOhms
- Microphone Input: balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
- Microphone Input Level: from 6 mVpp to 1.4 Vpp
- Microphone Input Impedance: approx 2 kOhms
- Gain Control Range: 47 dB
- Phantom Power: 48V +/-10%
- Input Noise: -97 dB RMS, -105 dB(A)
- Distortion (THD): 0.01%
- Frequency Response: 20Hz-20kHz +/- 0.5 dB
- Conversion: 24-bit A/D
- Sampling Rate: 44.1 and 48 kHz
- Battery: 9V (Alkaline suggested), needed for +48V phantom only
- Dimensions: (W x L x H) 32 x 105 x 21mm (1.26 x 4.14 x 0.85")
- Weight: 40g/1.41oz

Package includes:
- iRig PRO universal Audio-MIDI interface
- iOS lightning connection cable
- iOS 30-pin connection cable
- USB connection cable
- 2.5mm jack to MIDI cable
- 9V Battery

Dimensions and Weight in Packaging: Shipping Weight: 1 lbs; Shipping Dimensions: 8 x 6 x 2 in

Apogee Jam Audio Interface for iOS

Plug your guitar or bass into the pocket-sized Apogee Jam audio interface, and capture crisp 24-bit audio directly on your iPhone or iPad.

Features

- PureDIGITAL instrument connection delivers pristine sound quality
- Designed for electric guitar and bass
- No confusing setup, you can start recording in minutes
- Works with GarageBand on iPad and iPhone or with any Core Audio compatible application on a Mac
- Control knob allows easy input level adjustment
- Multicolor LED for status indication and input level monitoring
- Studio quality instrument preamp with up to 40dB of gain
- High quality locking output connects directly to iPad and iPhone or USB port on a Mac
- 44.1kHz, 24-bit analog-to-digital conversion
- Auto Soft Limit for optimal input level
- Powered by connection to iPad, iPhone or Mac
- Made in the U.S.A.

In the box
- Jam
- 0.5m cable for connection to iPad and iPhone
- 1m cable for connection to Mac
- Quick start guide
- Velcro strip

System Requirements

iOS:

- Devices: iPad and iPhone 4
- iOS version: 4.3 and later
- Connection: Dock connector port (no batteries required)
- Software: * Made for GarageBand

Mac OS:

- Computer: Mac, with an Intel processor
- Memory: 1 GB minimum of installed RAM, 2 GB recommended
- Mac OS version: 10.6.4 or later
- Connection: USB 2.0 Full Speed
- Software: GarageBand, Logic Pro, MainStage or any Core Audio compatible application

* Apogee is testing other iOS applications and will post a list as they confirm additional compatibility. Please email Apogee if you have questions about specific apps.

Dimensions and Weight in Packaging: Shipping Weight: 0 lbs; Shipping Dimensions: 7 x 5 x 2 in

Apogee One Audio Interface iPad and Mac

Harness Apogee's pristine A/D for your iPad or Mac. This ONE lets you record a single XLR microphone, or the 1/4" input and internal mic in 2-channel mode.

Features:

- First studio quality audio interface and microphone for iPad
- Updated circuitry, mic capsule and upgraded sound quality
- Redesigned die cast aluminum chassis
- Direct digital connection to iPod touch, iPhone, iPad
- Works with iPhone 5, iPad (4th generation), iPad mini
- (Lighting adapter required - Sold separately)
- Works with GarageBand, MultiTrack, Spotify; Any Core Audio compatible app on iOS
- Works with GarageBand, Logic, Pro Tools, Ableton, iTunes; Any Core Audio compatible app on Mac
- Low latency monitoring, complete input/output control with Apogee's Maestro software (iOS & Mac)
- DC power supplies charge to iPod touch, iPhone or iPad
- Optional battery operation for remote recording on iPad (2 AA batteries not included)
- USB 2.0 audio with 24-bit/96kHz A/D and D/A conversion
- Built-in omnidirectional condenser microphone (mic stand adapter included)
- 2 Analog Inputs (XLR microphone and 1/4-inch instrument connector on breakout cable)
- Record up to 2 inputs at a time (instrument + internal microphone or external microphone)
- 1 1/8-inch stereo output for headphones or powered speakers
- Legendary Apogee sound quality
- Designed in California - Made in the U.S.A.

- Mic input: 0 to 62dB gain; 14dBu max input level
- Hi-Z: 0 to 45 dB gain; 14dBu max input level
- Headphone out: 14dBu max (3.9V RMS)
- Compatible Software:
- Mac: Any Mac Core Audio compatible application; Recommended apps: Logic, GarageBand, MainStage, Final Cut, Pro Tools, Ableton Live, Digital Performer, Studio One, Cubase, and Nuendo
- iOS: Any iOS Core Audio compatible app. Recommended apps: GarageBand, Auria

System Requirements:- Mac OS:
- Computer: Intel Mac 1.5GHz or faster
- Memory: 2 GB RAM minimum, 4 GB recommended
- OS: 10.7.5 or greater
- Connection and power: Any available USB port on a Mac
- USB bus powered; DC power optional
- (DC power supply include

- iOS:
- iOS version: 5.1 and later
- Connection: 30-pin dock connector
- Power supply or two AA batteries required
- (Batteries not included)
- iOS device compatibility (Lightning connector)
- iPod touch* (5th generation)
- iPhone 5*
- iPad* (4th generation)
- iPad mini*
- * Requires Apple's Lightning to 30-pin adapter. Sold separately.
- iOS device compatibility (30-pin connector)
- iPod touch (4th generation)
- iPhone 4S
- iPhone 4
- iPad (3rd generation)
- iPad 2
- iPad

Dimensions and Weight in Packaging: Shipping Weight: 2 lbs; Shipping Dimensions: 9 x 7 x 4 in

Apogee Quartet USB Audio Interface

No ordinary USB interface, the Apogee Quartet gives your Mac 4 world-class mic preamps, pristine A/D and D/A conversion, high-resolution metering, and more

Features:

- Best-in-class sound quality with Apogee AD/DA converters
- 4 Analog Inputs with world-class mic preamps
- Monitor control - up to 3 speaker sets
- USB 2.0 High-speed Mac audio interface
- ADAT/SMUX digital Inputs
- MIDI input (USB-A type connector)
- 8 Analog Outputs:
- 6 Balanced line outputs, +20 dBu maximum output level
- 1 Independent 1/4" stereo headphone output
- 2 top panel high-resolution OLED displays
- Controller knob
- 6 touchpads for direct selection of inputs and outputs
- 3 assignable touchpads
- Quartet works with any Core Audio compatible application including: Logic, Pro Tools 9 and 10, Final Cut. Ableton Live
- Made in the U.S.A.

System Requirements:

- Computer: Intel Mac 1.5GHz or faster
- Memory: 2 GB RAM minimum, 4 GB recommended
- OS: 10.6.8, 10.7.4 or greater
- Connection: Any available USB port on a Mac
- Power: DC Power supply included

In the box:
- Quartet
- 2 meter USB Cable
- Universal Power Supply with standard 3 pin-IEC cable
- QuickStart Guide
- Instructions for download of software and complete documentation

Compatible Software:
- Quartet works with any Core Audio compatible application including:
- Logic
- Pro Tools 9 and 10
- Final Cut
- Ableton Live
- GarageBand
- Studio One
- Cubase
- Digital Performer
- Nuendo

Dimensions and Weight in Packaging
Base Item: Shipping Weight: 6 lbs; Shipping Dimensions: 13 x 9 x 6 in

Apogee Duet Audio Interface for iPad and Mac

A truly professional 2-in/4-out USB audio interface for your iPad or Mac, this Apogee Duet captures pristine 192 kHz/24-bit audio with two mic preamps.

Features:

- USB/MIDI audio interface for iPad, iPod touch, iPhone, and Mac
- 2 Analog inputs with mic preamps and selectable 48V phantom power
- 2 Balanced analog line outputs
- 1 Independent 1/4-inch stereo headphone output
- MIDI I/O lets you connect the Duet to controllers and synths
- Works with Mac-based DAWs and Core Audio-compatible apps
- Maestro control software provides I/O control and low-latency monitoring
- Get professional recordings with 192 kHz/24-bit A/D/D/A conversion
- Use DC power to charge your iPod touch, iPhone, or iPad while you record

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USB 2.0 Mac audio interface
- 2 analog inputs: Combination Line (balanced +20dBu max)
- Mic/Instrument (+14dBu max)
- 4 analog outputs:
- Balanced line outputs, +20 dBu maximum output level
- 1 Independent 1/4" stereo headphone output
- 2 Microphone preamps with up to 75dB of gain
- A/D and D/A conversion at 24-bit/192kHz
- Top panel high resolution OLED display
- Multi-function controller knob
- Two assignable top panel touchpads:
- Mute speakers, headphones or all outputs
- Assign headphones to outputs 1-2, 3-4 or low latency mixer
- Dim speakers, headphones or all outputs
- Sum to mono speakers, headphones or all outputs
- Selectable 48v phantom power, Soft Limit and phase invert
- Mic Pre:
- EIN: 128dB (un-weighted) @ 60dB, 150Ohm input
- Max input level: +20dBu
- Input impedance: 3KOhm
- Hi-Z:
- Max input level 14 dBu
- Input impedance: >2MOhm
- A/D conversion:
- Max input level (+4dBu ref): +20dBu
- Max input level (-10dBV ref): +6dBV
- Input impedance: 5KOhm
- Freq resp 20 Hz -20Khz: > +/-0.2dB (@44.1Khz)
- Rel. THD + N: -106dB (@ 96Khz)
- Dyn. Range: 114dB (A-weighted)
- D/A conversion:
- Max output level (+4dBu ref): +20dBu
- Max output level (-10dBV ref): +6dBV
- Line output impedance: 90 Ohm
- Max output level headphones: 19dBu
- HPH output impedance 30 Ohm.
- Freq resp 20Hz -20 Khz: > +/- 0.05dB (@44.1Khz)
- Rel. THD+N : -113dB (@96Khz)
- Dyn Range: 123dB (A-weighted)

System Requirements:

- Mac OS:
- Computer: Intel Mac 1.5GHz or faster
- Memory: 2 GB RAM minimum, 4 GB recommended
- OS: 10.6.8, 10.7.5 or greater
- Connection and power: Any available USB port on a Mac
- USB bus powered; DC power optional
- (DC power supply included)

- iOS:
- iOS version: 5.1.1 or greater
- Connection: 30-pin dock connector
- DC power required (DC power supply included)
- iOS device compatibility (Lightning connector)
- iPod touch* (5th generation)
- iPhone 5*
- iPad* (4th generation)
- iPad mini*
- * Requires Apple's Lightning to 30-pin adapter. Sold separately.

iOS device compatibility (30-pin connector):
- iPod touch (4th generation)
- iPhone 4s
- iPhone 4
- iPad (3rd generation)
- iPad 2
- iPad

Compatible Software:
- Mac
- Any Mac Core Audio compatible application
- Recommended apps: Logic, GarageBand, MainStage, Final Cut, Pro Tools, Ableton Live, Digital Performer, Studio One, Cubase, and Nuendo
- iOS
- Any iOS Core Audio compatible app. Recommended apps: GarageBand, Auria

In the box:
- Duet 2
- Breakout Cable with:
- 2 Combination Line/Mic/Instrument Inputs
- 2 Balanced Line Outputs
- USB Cable
- 30-pin iOS cable
- Universal Power Adapter for US, UK and EU
- Quick Start Guide
- Software download and installation instructions

Dimensions and Weight in Packaging
Base Item: Shipping Weight: 3 lbs; Shipping Dimensions: 9 x 7 x 4 in

Focusrite Saffire Pro 40 I/O FireWire Audio Interface

Need more I/O? Not with this 20x20 FireWire interface. With 8 sweet Focusrite mic preamps and JetPLL jitter elimination, it's a rock-solid DAW front end.

Features:

- 8 high-quality, award-winning Focusrite preamps
- 24-bit/96 kHz FireWire interface with high-end A-D / D-A conversion and JetPLL jitter elimination technology
- Total I/O count of 20 inputs and 20 outputs, including a unique loop-back facility for routing audio between software applications via Saffire PRO 40 Control
- The Focusrite Plug-in Suite: Compression, Reverb, Gating and EQ VST/AU plug-ins
- Two separate headphone buses with independent level controls on the front panel
- Saffire PRO 40 Control provides an 18 x 16 zero-latency DSP mixer/router
- Unmatched routing flexibility: route any input signal or DAW output, or a mix of both, to any of the 20 outputs
- Bundled software: Xcite+ Pack DVD-ROM filled with royalty-free loops and samples, Ableton Live Lite 7, and the Focusrite Plugin Suite

Specifications
Microphone Inputs:
- Frequency Response: 20Hz - 20kHz +/- 0.1 dB
- THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)
- Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)

Line Inputs:
- Frequency Response: 20Hz - 20kHz +/- 0.1dB
- THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)
- Noise: -90dBu (22Hz/22kHz bandpass filter)

Instrument Inputs:
- Frequency Response: 20Hz - 20kHz +/- 0.1dB
- THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter)
- Noise: -87dBu (20Hz/22kHz bandpass filter)

Conversion performance:
- Dynamic Range = 110dB (A-weighted)
- Clock jitter = 250 picoseconds
- THD+N AMPL = -109dBFS 'A' weighted

Front and Rear Connectivity

Analogue Channel Inputs (Inputs 1-8):
- 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2)
- 6 Mic/Line Combo XLR (Inputs 3-8)
- Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument)

Digital Channel Inputs (Inputs 9-18) 44.1-96kHz:
- Stereo S/PDIF input on RCA
- 8 ADAT inputs on Optical Connector, reduces to 4 inputs at 88.2/96kHz
- Optical input can be switched to S/PDIF 3/4 in software preferences (ADATs disabled)

Digital Channel Outputs (Outputs 11-20) 44.1-96kHz:
- Stereo S/PDIF output on RCA
- 8 ADAT outputs on Optical Connector, reduces to 4 outputs at 88.2/96kHz
- Optical output can be switched to S/PDIF 3/4 in software preferences (ADATs disabled)

Other I/O:
- 2 6-pin FireWire sockets
- 2 Standard 5-pin DIN MIDI connectors: In and Out
- IEC mains power input connector

Weight: 3 kg / 6.6 lbs

Dimensions (WxHxD): 350mm / 13.8 in. x 45mm / 1.8 in. x 235mm /9.3 in.

System Requirements

Windows
Operating System: Microsoft Windows XP SP2 (32 bit and 64 bit) and Windows Vista (32 bit and 64 bit)

CPU/Clock: 900MHz AMD or Pentium. (1.5 GHz or higher recommended)

Memory (RAM): 512 MB (more recommended)

Apple Mac
Operating System: OSX (10.4 and 10.5)

CPU/Clock: PowerPC G4/Dual 1 GHZ or faster or any Intel-based Mac

Memory (RAM): 512 MB (more recommended)

Dimensions and Weight in Packaging: Shipping Weight: 12 lbs; Shipping Dimensions: 24 x 15 x 5 in

PreSonus FireStudio Project FireWire Interface

Begin recording like a pro with the PreSonus FireStudio interface, which includes a free ProPak software suite for one affordable price.

Some musicians prefer to work alone, spending untold hours in their bedrooms crafting little masterpieces of esoteric pop weirdness. The rest, however, play in bands. If you want to start recording real people playing real music together, you're going to need more than the two inputs most affordable digital audio interfaces provide. It's time to step up to the PreSonus FireStudio Project, a FireWire interface with ten simultaneous audio inputs and all the routing options you'll need to start making serious recordings. It delivers professional fidelity, reliable stability with Mac or Windows systems, and ships with a full suite of recording software and effects including the Studio One Artist 2 multitrack recoding program.

Eight Class-A Preamps, and More

Because PreSonus wanted to make the FireStudio Project a self-contained multitracking solution, they outfitted it with eight of their pristine XMAX Preamps. These class-A pre's have a low noise floor and high enough headroom to accommodate a wide variety of recording sources. All eight microphone inputs can supply true +48V phantom power for your condenser mics -- a must for recording vocals, acoustic instruments, and drum overheads. Best of all, the input connectors are XLR-1/4" "combi" jacks, meaning you can connect instruments or 3-pin microphone cables to the same input without having to reach around to the back of the unit--and inputs 1 and 2 are especially built to accept Hi-Z signals from electric guitars and basses. Add to the eight analog inputs two digital S/PIDF inputs, and you've got yourself a setup that can easily be expanded to include additional digital mic preamps. There's also eight analog and two digital outputs for flexible monitor routing, and full MIDI I/O to incorporate drum machines, hardware synth modules, and more. Should you want to increase your available inputs further, the PreSonus FireWire driver supports multiple, daisy-chained interfaces. Simply connect a second FireStudio for twenty inputs, and a third for thirty, and a fourth -- as many as your computer software and hardware can keep up with!

Zero Latency Monitoring And Improved Jitter Elimination

The importance of zero-latency monitoring can't be understated. Even with ten simultaneous recording inputs, you're going to want to make overdubs, and having access to zero-latency monitoring without relying on exterior routing is the most reliable way to get perfectly synchronized overdubs and punch-ins. The PreSonus FireStudio touts zero-latency mixing via its intuitive software-controlled, digital mix routing. Another problem inherent in digital recording systems is jitter. Jitter occurs when the converters that transform analog audio information into digital information don't sync properly. Think about analog-to-digital conversion like a camera taking a picture of the incoming audio. When recording at 44.1kHz (or CD-quality) that's 44,100 pictures every second--or 352,800 when recording on eight simultaneous inputs. If those virtual cameras don't capture their images at the same instant, issues like phasing, loss of low-end focus, and digital hiss can become audible. The FireStudio employs JetPLL jitter elimination technology and upgraded converters to combat these common issues, making sure the audio you record is as accurate and musical as possible.

LED Meters For Instant Level Monitoring

You ever see those huge studio consoles with their fancy LED meter bridges? Wouldn't it be nice to have one of those to give you instant input level feedback in your home setup? Quit pining: the FireStudio Project has three-segment input monitoring built right into its front panel, giving you immediate monitoring over all eight analog inputs. No more relying on your software to tell you if your preamps are clipping, let the preamps themselves tell you.

Compatible With Most Major DAWs

If you've already got a digital audio workstation you're comfortable with, chances are the FireStudio Project will integrate seamlessly with your setup. Its near-universal Mac and Windows drivers mean the FireStudio works as the perfect front end for users of Apple Logic, Cakewalk Sonar, and even Propellerhead Record. On the other hand, if you're really starting from scratch, PreSonus stuffs the FireStudio box with a copy of Studio One Artist 2, so you can get down to recording right away. Best of all, PreSonus is one of the most diligent and frequent updaters of driver software in the industry, so you can invest in your FireStudio Project with absolute confidence.

Computer System Requirements

New Universal Control version 1.11 software. Compatible with 64-bit Windows XP and Vista and will support 64-bit operation in Mac OS X 10.5 and later.

Windows:
- OS: Microsoft Windows XP SP1
- Computer: Windows compatible computer with FireWire port.
- CPU/Clock: Pentium, Celeron with 1.6Ghz or higher
- Memory(RAM): 512 MB (1 GB recommended)

Macintosh:
- Mac OS X 10.5.2 or later (32-bit and 64-bit)
- PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.

FireStudio Project Specifications

Microphone Preamp

Type: XLR Female Balanced

Frequency Response (+/-0.5 dB): 20 Hz to 50 kHz

Frequency Response (+/-3.0 dB): 20 Hz to 150 kHz

Input Impedance (Balanced): 1600 ohms

THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain: < 0.0003%

EIN (unwtd, 55dB Gain, 150 ohms Input, 20Hz to 22kHz: -126 dBu

S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz: > 101dB

Common Mode Rejection Ratio (1 kHz, 55 dB Gain): > 55dB

Gain Control Range (+/-1dB): -4 dB to 50dB

Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N): +14 dBu

Signal Level LEDS:
Red / Clip (+/-0.5 dB)
Yellow (+/-0.5 dB)
Green (+/-0.5 dB)

+10 dBu (o dBFS)
+4 dBu (-6 dBFS)
-30 dBu (-40 dBFS)

Phantom Power (+/-2 VDC): +48 VDC

Instrument Input (channels 1 & 2 only)

Type: XLR Female Balanced

Input Impedance: 1 Milliohms

Line Inputs

Type: XLR Female Balanced

Frequency Response (+/-0.5 dB): 20 Hz to 50 kHz

Frequency Response (+/-3.0 dB): 20 Hz to 150 kHz

Input Impedance (Balanced): 10 K ohms

THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain
< 0.0003%
S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz: > 101dB
Gain Control Range (+/-1 dB): -16dB to +16dB
Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N): +10 dBu
Maximum Input Level (Minimum Gain, 1 kHz @ 0.5% THD+N): +22 dBu

Line Ouputs (including Preamp Output, General Purpose Outputs and Main Outputs)
Type: 1/4 in. TRS Balanced
Output Impedance: 51 ohms

Headphone Output
Type: 1/4 in. TRS Active Stereo
Maximum Output: 150 mW/CH @ 60 ohms Load
Frequency Response (+/-1.0 dB): 10 Hz - 70kHz

Digital Audio
ADC Dynamic Range (Awtd, 48 kHz Sample Rate): 114 dB

DAC Dynamic Range (Awtd, 48 kHz Sample Rate): 114 dB

Bit Depth: 24

Reference Level for 0dBFS: +10 dBu

Internal Sample Frequency Selections (kHz): 44.1, 48, 88.2, 96

External Sample Frequency Input: S/PDIF

Power
Input Connector Type: IEC

Input Voltage Range: 90 to 230 VAC

Power Requirements (Continuous): 20W

Dimensions and Weight in Packaging: Shipping Weight: 7 lbs; Shipping Dimensions: 24 x 12 x 5 in

Universal Audio Apollo Quad FireWire Audio Interface with DSP

More than just an 18x24 FireWire interface, the Thunderbolt-compatible Apollo QUAD lets you track, mix, master and monitor with UAD plug-in processing power

Features:

- 18-In/24-out FireWire/Thunderbolt-ready audio interface for Mac and PC
- Real-time UAD digital signal processing for low-latency (sub-2 ms) tracking and mixing with UAD Powered Plug-Ins
- High-quality mic pres, converters, and analog design yield 192 kHz/24-bit resolution audio
- Easy to access front-panel controls for all commonly used features
- Full recall of interface and UAD plug-in settings within DAW sessions via Console Recall plug-in
- 8 Analog inputs: 4 digitally controlled analog mic preamps, 8 balanced line inputs, 2 front-panel JFET DIs
- 14 Analog outputs: 8 balanced line outs, 2 digitally controlled analog monitor outs, 2 dedicated stereo headphone outs
- 10 Channels of digital I/O: 8 channels of ADAT, 2 channels S/PDIF, Wordclock I/O
- Dual FireWire 800 ports
- Optional Thunderbolt I/O Option Card for connectivity to Macs and PCs
- Includes Analog Classics plug-ins: LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer

System

I/O Complement:
- Microphone Inputs 4
- High-Impedance Inputs 2
- Analog Line Inputs 8
- Analog Line Outputs 8
- Analog Monitor Outputs 2 (1 stereo pair)
- Headphone Outputs 2 stereo (independent mix buses)
- ADAT Up to 8 channels via dual I/O ports with S/MUX
- S/PDIF 1 stereo input, 1 stereo output
- FireWire 800 (IEEE 1394b) Dual ports
- Thunderbolt (via Option Card) Dual ports
- Word Clock 1 input, 1 output
A/D - D/A Conversion:
- Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
- A/D Bits Per Sample 24
- Simultaneous A/D conversion 8 channels
- Simultaneous D/A conversion 14 channels
- Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
- Analog Round-Trip Latency with four serial UAD-2 plug-ins via Console application 1.1 milliseconds @ 96 kHz sample rate

Analog I/O

Microphone Inputs 1 - 4:
- Jack Type XLR Female
- Phantom Power +48V, Switchable
- Dynamic Range 118 dB (A-weighting)
- Signal-to-Noise Ratio 118 dB (A-weighting)
- Total Harmonic Distortion + Noise -110 dB
Hi-Z Inputs:
- Jack Type 1/4-in. Male (Mono TS plug required)
- Dynamic Range 117 dB (A-weighting)
- Signal-to-Noise Ratio 117 dB (A-weighting)
- Total Harmonic Distortion + Noise -103 dB
Line Inputs 1 - 4:
- Jack Type 1/4-in. Male TRS Balanced
- Dynamic Range 117 dB (A-weighting)
- Signal-to-Noise Ratio 117 dB (A-weighting)
- Total Harmonic Distortion + Noise -107 dB
Line Inputs 5 - 8:
- Jack Type 1/4-in. Male TRS Balanced
- Dynamic Range 117 dB (A-weighting)
- Signal-to-Noise Ratio 117 dB (A-weighting)
- Total Harmonic Distortion + Noise -107 d
Line Outputs 1 - 8:
- Jack Type 1/4-in. Male TRS Balanced
- Dynamic Range 118 dB (A-weighting)
- Frequency Response 20 Hz - 20 kHz, +/-0.1 dB
- Signal-to-Noise Ratio 118 dB (A-weighting)
- Total Harmonic Distortion + Noise -106 dB
Monitor Outputs 1 - 2:
- Jack Type 1/4-in. Male TRS Balanced
- Frequency Response 20 Hz - 20 kHz, +/-0.1 dB
- Dynamic Range 115 dB (A-weighting)
- Signal-to-Noise Ratio 114 dB (A-weighting)
- Total Harmonic Distortion + Noise -103 dB
Stereo Headphone Outputs 1 & 2:
- Jack Type 1/4-in. Male TRS Stereo/Unbalanced
- Frequency Response 20 Hz - 20 kHz, +/-0.1 dB
- Dynamic Range 113 dB (A-weighting)
- Signal-to-Noise Ratio 113 dB (A-weighting)
- Total Harmonic Distortion + Noise -101 dB

Digital I/O

S/PDIF:
- Jack Type Phono (RCA)
- Format IEC958
ADAT:
- Jack Type Optical TOSLINK JIS F05
- Format ADAT Digital "Lightpipe" with S/MUX
- Channel Assignments @ 44.1 kHz, 48 kHz Port 1 = Channels 1 - 8, Port 2 = 1 - 8 (mirrored)
- Channel Assignments @ 88.2 kHz, 96 kHz Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8
- Channel Assignments @ 176.4 kHz, 192 kHz Port 1 = Channels 1 - 2, Port 2 = Channels 3 - 4
Word Clock:
- Jack Type BNC
- Lock Range +/-0.5% of any supported sample rate
- Word Clock Input Termination 75 Ohms, switchable
Synchronization Sources:
- Internal, Word Clock, S/PDIF, ADAT

Electrical

- Power Supplies External AC to DC Power Supply Brick, Internal DC to DC Power Supply
- AC Connector Type IEC Male
- AC Requirements 100V - 240V AC, 50 - 60 Hz
- DC Connector Type XLR 4-Pin Locking Male (Neutrik P/N NC4MDM3-H)
- DC Requirements 12 VDC, +/-5%
- Maximum Power Consumption 6.5 amperes

Mechanical

Dimensions:
- Width 19"
- Height 1.75" (1U rack space)
- Depth, Chassis Only 12.125"
- Depth, Including Knob & Jack Protrusions 13.5"
- Shipping Box (Width x Depth x Height) 24" x 17" x 8"
Weight:
- Shipping Weight (with box & accessories) 18 pounds
- Weight (bare unit) 9.1 pounds

Dimensions and Weight in Packaging: Shipping Weight: 17 lbs; Shipping Dimensions: 24 x 18 x 8 in

Universal Audio Apollo Duo FireWire Audio Interface with DSP

Features:

- 18x24 FireWire/Thunderbolt-ready audio interface for Mac (OS X 10.6 or higher) and PC (Windows 7 or higher)
- Two processor cores deliver real-time UAD DSP for low-latency (sub-2 ms) tracking and mixing with UAD Powered Plug-Ins
- Professional mic preamps, converters, and analog design
- Front-panel controls for easy access to essential features
- Full recall of interface and UAD plug-in settings within DAW sessions via the included Console Recall plug-in (VST/RTAS/AU)
- 8 Analog inputs: 4 digitally controlled analog mic preamps; 8 balanced line inputs; 2 front-panel JFET DIs
- 14 Analog outputs: 8 balanced line outs; 2 digitally controlled analog monitor outs; 2 dedicated stereo headphone outs
- 10 Channels of digital I/O: 8 channels of ADAT; 2 channels S/PDIF; Wordclock I/O
- Dual FireWire 800 ports (standard)
- Thunderbolt I/O Option Card for connectivity to Macs and PCs (card sold separately)
- Includes "Analog Classics" plug-ins: LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer

System

Analog I/O

Digital I/O

Electrical

Mechanical

Dimensions and Weight in Packaging
Base Item: Shipping Weight: 17 lbs; Shipping Dimensions: 24 x 17 x 8 in

Focusrite Scarlett 2i2 USB Audio Interface

Keep an eye on your levels

Unique halo signal indicators let you know that you've got a good signal level for recording. Red means that your signal is clipping, and that you should reduce the gain. The halo will momentarily turn amber as the level returns to a healthy level, at which point it will turn green.

Flexible monitoring options

A large monitor dial provides a tactile control for the volume of your speakers, whilst a high quality headphone amp provides a clean yet loud signal to headphones connected to the front panel socket. The direct monitor switch routes audio directly from the inputs to both the headphone and speaker outputs. This allows you to monitor the incoming signal with zero-latency.

Polish your mix

The included Scarlett Plug-In suite provides effects compatible with all major DAWs; so whether you're using GarageBand, Pro Tools, Cubase, Logic or the included Ableton Live Lite, Scarlett 2i2 is the complete package for you to get recording straight away.

High Quality Mic Preamps

Scarlett 2i2 features two high quality award-winning Focusrite mic pres. With more than 25 years of experience in designing analogue equipment, Focusrite produce the best mic preamps in the industry. The preamps found in the Scarlett 2i2 are no exception to this, and share the same design as those found in the flagship interfaces: Saffire PRO 40 and Liquid Saffire 56.

Excellent Digital Performance

With 24-bit resolution at sample rates of up to 96 KHz, the digital conversion in the Scarlett 2i2 is of very high quality meaning that every note and every subtle detail is captured with great clarity.

Rugged Metal Unibody Case

The anodized aluminum unibody chassis ensures that your Scarlett 2i2 can withstand the harsh environment of the road. It also makes Scarlett 2i2 the most beautiful interface around ...

Truly Portable Interface

Scarlett 2i2 is very light and compact making it easy to fit in a laptop bag. It's also bus powered meaning that you don't need an additional power supply. Simply plug in to your computer and hit record!

Included Software - DAW and Effects

Inside the box you'll find Ableton Live Lite 8, as well as Focusrite's Scarlett plug-in suite. Compatible with all major DAWs, Scarlett plug-in suite provides EQ, Compression, Gate and Reverb - essential tools for polishing your mix.

Unique LED Gain Halos

The gain halos which surround the gain knob for each input provides an easy way to know that the signal you're recording is the right level. It will show green when the signal is at a good level (above -24dBFS). If it turns to red, you know that the signal is too loud and is therefore clipping - if this happens, simply reduce the gain until the halo returns to green.

Direct Monitor Function

Flick the direct monitor switch on the front panel of your 2i2 and you will hear what you're recording through your speakers or headphones, without the signal having to go through your computer. This avoids the possibility of latency, which can be distracting when recording.

Mac OSX Lion Ready

Scarlett 2i2 has been fully tested with Mac OSX 10.7, Lion. So you can rest assured that your Mac and Scarlett 2i2 will run together perfectly!

Features

- 2 in / 2 out USB audio interface

- 96 KHz, 24-bit conversion
- 2 Focusrite microphone preamplifiers
- Red anodised aluminium unibody chassis

Focusrite Scarlett 18i8 USB 2.0 Audio Interface

Product Description

Professional artists and producers the world over choose Focusrite to record and produce their music. Now, with Scarlett 18i8, you can record with four award-winning Focusrite Mic preamps, supply two headphone mixes with headphone volume control and have access to a whole host of other inputs and outputs, all from one portable, rugged interface. Whatever the scale of your project, Scarlett 18i8 is up for the challenge.

The Focusrite Scarlett 18i8 is an 18 in/8 out USB 2.0 audio interface and part of the new generation of Focusrite audio interfaces, designed to make music creation easier and sound better than ever before. Featuring four award-winning Focusrite mic pre amps alongside a flexible array of other input and output options, the Scarlett 18i8 is the perfect match for the discerning producer or small recording band, allowing up to four mic inputs and four line inputs to be recorded simultaneously. And with the option of ADAT, a unit such as an OctoPre MkII can be connected, bringing the number of mic pres up to 12.

USB 2.0 audio interface with four Focusrite mic pres

The new Focusrite Scarlett 18i8 18-in/8-out interface extends the Scarlett range of USB 2.0 interfaces from Focusrite, each of which offers a series of high-quality inputs and outputs for different recording requirements. With four Focusrite mic pres, Scarlett 18i8 is designed for producers and recording artists or bands who require the ability to record a significant number of sources at the same time including multiple mics/instruments, with expansion capability enabling it to handle multiple studio recording requirements. Scarlett 18i8 works on Mac, PC and iPad (Apple Camera Connection Kit required for iPad).

Focusrite was commissioned to make its first no-holds-barred microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite has designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.

18 separate inputs

At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite's computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs - all four on the front panel with pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.

8 independent outputs

On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue inputs and outputs have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows, Mac and now iOS apps.

Tough and innovative hardware

Scarlett 18i8 is housed in a compact red unibody metal case to withstand the rigours of the road -- and the studio. Input level controls feature signal halos LED rings around the level control that give a simple and immediate go/no-go level indication: green means there is a recordable signal while red indicates overload. A large main monitor knob with mute button means that main monitor levels are always at your fingertips.

Included software

Included in the package is the Scarlett MixControl low-latency DSP-based software mixer and router, with intuitive one-click presets and a latency of under 1.4 ms. You'll also find the Scarlett plug-in suite for VST, AU and RTAS, offering EQ, gate, compression and reverb, plus Ableton Live Lite, the Novation Bass Station soft synth and a Loopmasters sample pack.

Features:

- Four award-winning Focusrite mic pres

- 18 inputs, 8 outputs
- Rugged Metal unibody chassis
- Main monitor control with mute function
- High Quality 24bit 96KHz audio interface for Mac, PC and iPad
- Unique Gain Halos
- Scarlett MixControl ultra-low-latency DSP mixer and router
- Two headphone outputs with separate level controls
- Includes Xcite+ Pack: Ableton Live Lite, Novation's Bass Station soft synth and 1GB of Loopmasters samples
- Includes Scarlett VST/AU/RTAS Plug-in Suite

Focusrite Scarlett 18i20 USB 2.0 Audio Interface

Features:

- 96 kHz/24-bit USB 2.0 interface compatible with Mac, Windows, and iOS

- 18 Inputs and 20 outputs
- 8 High-quality Focusrite preamps
- ADAT I/O enables an additional 8 ins and outs
- 16 Channels of MIDI
- Analog-digital/digital-analog conversion at sample rates up to 96 kHz/24-bit for pristine audio quality and sync
- Dual independent headphone buses for routing fully customizable monitor mixes
- Scarlett MixControl DSP mixer/router software offers low-latency routing and monitoring capabilities
- Driver-free operation on the iOS platform
- Included software: Ableton Live Lite, Scarlett Plug-in Suite, Novation Bass Station, Loopmasters samples

Avid Eleven Rack Guitar Recording and Effects Audio Interface (with Pro Tools 10)

speci

- Converters: 24-bit

- Supported sample rates: 44.1, 48, 88.2 and 96 kHz
- Analog input:
- 1 x 1/4" TS True-Z
- 2 x 1/4" TRS Line
- 2 x 1/4" TRS FX Loop Return
- Analog output: 2 x XLR Main
- 2 x 1/4" TRS FX Loop Send
- 2 x 1/4" TS Output to Amp
- Digital input:
- 1 x XLR AES/EBU
- 1 x RCA coaxial S/PDIF
- Digital output:
- 1 x XLR AES/EBU
- 1 x RCA coaxial S/PDIF
- MIDI I/O: 2 x 5-pin, DIN MIDI In, MIDI Out/Thru
- Sync I/O: AES/EBU, S/PDIF
- Headphone output: 1 x 1/4" TRS
- Dimensions (W x D x H): 19 x 13.5 x 3.5 inches (483 x 343 x 89 mm)

Specifications

- Avid-qualified desktop or laptop computer (see details)

- Mac OS X 10.6.8 (Snow Leopard) or Windows 7 Home, Premium, Professional, or Ultimate (see details)
- 2 GB RAM (4 GB or more recommended)
- 15 GB free hard disk space
- Two available USB 2.0 ports (for Eleven Rack and iLok connection)
- Internet connection (for software installation and authorization)

For live performance...
No computer needed - just you, Eleven Rack, and your guitar (or other instrument)

What's Included?

- Eleven Rack interface

- Power cable
- USB cable
- User documentation

Minimum System Requirements:

- Mac OS X 10.6 (Snow Leopard) or Windows 7 Home, Premium, Professional, or Ultimate

- 2 GB RAM (4 GB or more recommended)
- 15 GB free hard disk space
- iLok USB Smart Key (included)
- Two available USB 2.0 ports (for Eleven Rack and iLok connection)
- Internet connection (for software installation and authorization)

RME HDSPe PCI-Card PCI Express Card Audio Interface

RME's HDSPe PCI Card is not based on a PCI to PCI Express bridge, which would simply add PCIe to existing PCI technology. It is a newly developed genuine PCI Express solution, which consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio. RME's flash update technology ensures future firmware improvements, adjustments, and bugfixes to be installed easily at any time.

The PCI Express interface of the HDSPe system is based on the PCI Express Base Specification v 1.1. It represents a 1-Lane PCI Express Endpoint Device and supports 2.5 Gbps line speed. Thanks to the packet-based full duplex communication, the card provides a transfer rate of up to 500 MB/s - 250 MB/s in each direction.

The connection between PCI Express card and I/O box is established using ordinary FireWire cable (IEEE 1394, 6-pin). The data transfer does not use FireWire protocol, but RME's own proprietary bus protocol. The supplied cable is 4 m (12 ft.) long. The PCIe card operates as power supply for the attached I/O-box (Digiface, Multiface, Multiface II, RPM) over the FireWire cable.

In the year 2001 RME started a revolution in mobile audio recording: the HDSP System, consisting of a PCI or CardBus card plus an external I/O-box has been the world's first audio system, operating at both desktop and laptop. And the world's first professional multitrack system for notebooks at all.

Today we are proud to look back and conclude: the HDSP system has become a true 'industry standard'. Thanks to continuing firmware and driver updates it stayed a cutting-edge product, still offers un-beaten performance, and still enjoys great popularity among the users.

The PCI Express card uses RME's own audio bus, already known from the PCI version, operating in combination with Multiface II, Multiface, Digiface and the RPM DJ interface. RME is especially proud on the fact that all users of RME interfaces can easily expand their system so that it operates with the latest and fastest PCI Express computers and Windows Vista, not loosing all the money formerly invested in audio hardware. As additional option the HDSPe PCI card can be used directly with RME's Time Code Option Module, offering an SMPTE controlled operation.

Connectivity:
- PCI Express interface
- Connection of Multiface, Multiface II, Digiface and RPM

Differences to HDSP PCI Card:
- PCI Express interface
- even lower latencies
- direct support of HDSP TCO

RME HDSPe MADI PCI Express Card Audio Interface

- 8 buffer sizes/latencies available: 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms, 186 ms
- ASIO zero CPU load technology: 0 (zero!)% CPU load when using ALL 128 channels!
- All settings changeable in real-time
- Clock modes slave and master
- Automatic and intelligent master/slave clock control
- Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring
- Sync sources: MADI coaxial, MADI optical, word clock, internal
- Varipitch: by input signal or word clock
- Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)
- Sample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz
- Jitter: < 1 ns, internal and all inputs
- Jitter sensitivity: PLL operates even at 100 ns Jitter without problems
- Comes with DIGICheck: the ultimate measurement, analysis and test tool
- Input MADI optical, MADI coaxial (BNC), 2 x MIDI, word clock (BNC)
- Output MADI optical, MADI coaxial (BNC), 2 x MIDI, word clock (BNC), stereo analog line/phones
- Input Word Clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), switchable termination
- Output Word Clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof
- MIDI input and output: via four 5-pin DIN jacks

RME HDSPe RayDAT ADAT/AES PCI Express Card Audio Interface

Features

The HDSPe RayDAT provides unique features:

- 4 x ADAT digital I/O, supporting 192 kHz via S/MUX4 operation
- 1 x SPDIF digital I/O, 192 kHz-capable
- 1 x AES/EBU digital I/O, 192 kHz-capable
- 2 x MIDI I/O, 32 channels high-speed MIDI via breakout cable
- Up to 36 inputs and 36 outputs can be used simultaneously!
- DIGICheck, RME's unique metering- and analysing tool
- TotalMix: 2592 channel mixer with 42 bit internal resolution
- Native PCI Express - no PCI to PCI Express bridge used
- S/MUX poured in hardware: 16 channels 24-bit/96kHz for record and playback on ADAT optical

HDSPe RayDAT includes SteadyClockTM, RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.

Included software:
- DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 36 channels, Vector Audio Scope, various other audio analysis tools.
- Drivers: Windows 2000/XP/Vista/7/64 (full ASIO multi-client operation of WDM, GSIF 2.1 and ASIO 2.0), Mac OS X Intel (Core Audio and Core MIDI).

MOTU 2408mk3 Digital Audio Interface

Features:

- 8 analog inputs/outputs with 24-bit, 96kHz converters on balanced/unbalanced 1/4-inch TRS jacks
- 3 banks of ADAT optical provide 24 channels of ADAT optical input/output at
44.1/48kHz - 12 channels at 88.2/96kHz
- Three banks of Tascam TDIF provide 24 channels of TDIF (Tascam digital) input/output - 12 channels at 88.2/96kHz
- Stereo S/PDIF in/out (with an extra stereo out)
- Provides stand-alone format conversion - transfer any format to any other, up to 24 channels at a time

PCI-424 Features:

- Expandable to 96 active inputs/outputs at sample rates up to 96kHz
- Drivers for Mac & PC - 24 simultaneous inputs/outputs for all popular Macintosh and Windows audio software (ASIO/WDM/GSIF/MAS/Sound Manager)
- 100% compatible with all host-based effects processing in today's popular audio programs
- CueMix DSP - this on-board mixing and monitoring matrix allows you to mix up to 96 channels of 96kHz audio with the same near-zero latency as today's latest digital mixers and no processor load
- Resolve your entire system directly to word clock or SMPTE time code with sub-frame accuracy. No separate SMPTE synchronizer required
- Includes AudioDesk full-featured, sample-accurate workstation software for MacOS 9 with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync
- Provides word clock and ADAT Sync - achieves sample-accurate digital transfers between digital tape decks and the computer
- 8 analog inputs/outputs with 24-bit, 96kHz converters on balanced/unbalanced 1/4" TRS connectors
- 108dB S/N ratio (A-weighted)
- 24 channels of ADAT optical input/output
- 24 channels of TDIF (Tascam digital) input/output
- 2 channels of S/PDIF in and 4 channels out
- 16, 20 and 24-bit recording at 44.1, 48, 88.2 and 96kHz kHz
- ADAT sync input on PCI-424 card
- Word clock in and out
- Includes cross-platform PCI-424 card

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