dbx 266XS Dual Compressor and Gate

Features

- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- Gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4 inch TRS and XLR connectors
- Side Chain insert
- Classic dbx Auto mode

specs

Inputs:
- Connector: 1/4 inch TRS, female XLR (pin 2 hot)
- Type: Electronically balanced/unbalanced, RF filtered
- Impedance: 40k ohm balanced, 20k ohm unbalanced
- Maximum Level: >+22dBu Balanced or Unbalanced

Outputs:
- Connector: 1/4 inch TRS, female XLR (pin 2 hot)
- Type: Impedance-balanced/unbalanced, RF filtered
- Impedance (+4dBu): 100 ohm balanced, 50 ohm unbalanced
- Impedance (-10dBu): 1k ohm balanced, 500 ohm unbalanced
- Maximum Level:
-- >+21dBu balanced/unbalanced into 2k ohm or greater
-- >+18dBm balanced/unbalanced (into 600 ohm)

Sidechain Insert:
- Connector: 1/4 inch TRS Phone, Normalled: Ring = Output (send); Tip = Input (return)
- Impedance: Tip = >10k ohm (Input), Ring = 2k ohm (Output)
- Maximum Level: Tip = >+22dBu (Input), Ring = >+20dBu (Output)

Compression:
- Threshold Range: -40dBu to +20dBu
- Threshold Characteristic: Selectable OverEasy or hard knee
- Compression Ratio: 1:1 to Infinity:1
- Attack Time: Scalable Program-Dependent AutoDynamic
- Release Time: Scalable Program-Dependent AutoDynamic

Expander/Gate:
- Threshold Range: -60dBu to +15dBu
- Expansion Ratio: 1:1 to 4:1
- Attack Time: <100uSec
- Release Time: Program-Dependent

System:
- Bandwidth: 0.35Hz - 90kHz, +0/-3dB
- Frequency Response (Flat): 20Hz - 20kHz; +0/-0.5dB
- Noise: <-93dBu, unweighted (22kHz measurement bandwidth)
- THD + N: <0.2%; Any Amount of Compression at 1kHz
- Intermodulation Distortion: <0.2% SMPTE
- Dynamic Range: >114dB, unweighted
- Interchannel Crosstalk: <-95dB, 20Hz to 20kHz
- CMRR: >40dB, typically >55dB at 1kHz
- Stereo Coupling: True RMS Power Summing

Power:
- Power Consumption: 15 Watts Maximum
- Operating Voltage: 100 VAC 50/60Hz; 120VAC 60Hz; 230 VAC 50/60 Hz

Physical:
- Dimensions: 1.75 x 5.75 x 19 inches (4.45x14.6x48.26cm)
- Weight: 4.84 lbs (2.19 kg)

dbx 223S Crossover (Stereo 2-Way, Mono 3-Way)

dbx 223S Stereo 2-Way/Mono 3-Way Crossover Features

- TRS differentially balanced ins and outs
- Mode switch for stereo 2-way or mono 3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
- DBX 2 year parts and labor as standard
- CSA NRTL/C approved
- CE compliant

The dbx 223S is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid click controls to the high quality 1/4-inch TRS inputs and outputs.

specs

Inputs:
- Connectors: 1/4 inch TRS
- Type: Electronically balanced/unbalanced, RF filtered
- Impedance: Balanced >50k ohm, unbalanced >25k ohm
- Max Input Level: >+22dBu balanced or unbalanced

Outputs:
- Connectors: 1/4 inch TRS
- Type: Impedance-balanaced/unbalanced, RF filtered
- Impedance: Balanced 200 ohm, unbalanced 100 ohm
- Max Output Level: >+21dBu balanced/unbalanced into 2k ohms or greater

Crossover Frequencies:
- Stereo Mode: Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
- Mono Mode: Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
- Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
- Filter type: Linkwitz-Riley, 24 dB/octave, state-variable

Function Switches:
- Front Panel (Low Cut): Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel
- Phase Invert: Inverts the phase at the output, one switch per output
- Rear Panel: x10: Multiplies the crossover frequency range by 10, one switch per channel
- Mode: Selects stereo/mono and 2/3-way operation
- LF sum: Selects normal (stereo) or mono-summed low frequency operation

Indicators:
- Stereo Operation: Green LED
- Mono Operation: Yellow LED
- Low Cut: Red LED per channel
- x10: Green LED per channel
- Phase Invert: Red LED per output (3 per channel)

System Performance:
- Bandwidth: 20Hz to 20kHz, +0/-0.5dB
- Frequency Response: < 3Hz to > 90kHz, +0/-3 dB
- Dynamic Range: >106dB, unweighted, any output
- Interchannel Crosstalk: <-80dB, 20Hz to 20kHz
- CMRR: >40dB, typically >55dB at 1kHz
- Signal-to-Noise: Ref: +4dBu, 22kHz measurement bandwidth

Power Supply:
- Operating Voltage: 100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC 50/60HZ
- Power consumption: 15W

Physical:
- Dimensions(HxDxW): 1.75 x 6.9 x 19 inches (4.5x17.5x48.26cm)
- Weight: 3.7 lbs. (1.7 kg)

dbx AFS224 Feedback Eliminator

Features

- dbx's Patent-pending (Advanced Feedback Suppression) AFS (tm) technology
- 24 Programmable Filters per Channel
- Stereo or Dual Independent Channel Processing
- Live and Fixed Filter Modes
- Selectable Filter Lift Times
- Application-specific filter types include: Speech and Music Low, Med and High
- Input channel Metering
- 24 LED per Channel Filter Metering
- XLR and TRS Inputs and Output

specs

Analog Inputs
Number of Inputs: 2
Connectors: Female XLR and 1/4 in. TRS
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced 50kOhms, Unbalanced 25kOhms
Maximum input line level: +20dBu
CMRR: >40dB, typically >55dB @ 1kHz

Analog Outputs
Number of Outputs: 2
Connectors: Male XLR and 1/4 in. TRS
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced >120 Ohms, unbalanced >60 Ohms
Max Output Level: +20dBu

A/D Performance
Type: dbx Type IV conversion system
Dynamic Range: >113 dB A-weighted, >110 dB unweighted, 22kHz BW
Type IV dynamic range: >119 dB,A-weighted, 22kHz BW >117 dB, unweighted, 22kHz BW
A/D Conversion: 24 bit
Sample Rate: 48kHz

D/A Performance
Dynamic Range: 112 dB A-weighted, 109dB unweighted
D/A Conversion: 24 bit

System Performance
Dynamic Range: >109dB A-weighted, >106 dB unweighted, 22kHz BW
THD+N: 0.003% typical at +4dBu, 1kHz
Frequency Response: 20Hz - 20kHz, +/- 0.5dB
Interchannel Crosstalk: >80dB typical
Crosstalk input to output: >80dB

Operating Voltage: 100VAC 50/60Hz, 120VAC 60Hz and 230VAC 50/60Hz

Power Consumption: 9 Watts

dbx 1066 Dual Compressor Limiter Gate

Features:
Selectable auto (classic dbx) or manual (variable Attack and Release) compression

Contour switch removes unwanted low frequency information from detector circuit

Selectable OverEasy or Hard Knee compression modes

PeakStopPlus limiting for setting maximum allowable level with minimal distortion

SC Ext and SC Mon for setting up and monitoring external devices for gating function

True differentially balanced gold-plated XLR and 1/4 in. inputs and outputs.

True RMS level detection

Precision metering of input level, output level, and gain reduction

True stereo or dual mono operation

Switchable +4dBu or -10dBV operation per channel

Proudly designed, manufactured, and tested in the USA

specs

Input
Connectors: XLR and 1/4" TRS (Pin 2 and tip hot)
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced > 50 kOhm, unbalanced > 25 kOhm
Max Input Level: > +24 dBu balanced or unbalanced
CMRR: Typically > 50 dB at 1 kHz

Outputs
Connectors: XLR and 1/4" TRS (Pin 2 and tip hot)
Type: Servo-balanced/unbalanced, RF filtered
Impedance: Balanced 120 Ohm, unbalanced 60 Ohm
Max Output Level: > +21 dBu, > +20 dBm

Sidechain Input
Connector: 1/4" TS
Type: Unbalanced, RF filtered
Impedance: > 10 kOhm
Max Input Level: > +24 dBu

Sidechain Output
Connector: 1/4" TRS (tip hot)
Type: Impedance balanced, RF filtered
Impedance: Balanced 2 kOhm, unbalanced 1 kOhm
Max Output Level: > +21 dBu balanced or unbalanced

System Performance
Bandwidth: 20 Hz to 20 kHz, +0/0.5 dB
Frequency Response: 0.35 Hz to 90 kHz, +0/-3 dB
Noise: < -96 dBu, unweighted, 22 kHz measurement bandwidth
Dynamic Range: > 118 dB, unweighted
THD+Noise: 0.008% typical at +4 dBu, 1 kHz, unity gain
0.08% typical at +20 dBu, 1 kHz, unity gain
< 0.1%, any amount of compression up to 40 dB, 1 kHz
IMD: < 0.1% SMPTE
Interchannel Crosstalk: < -80 dB, 20 Hz to 20 kHz
Stereo Coupling: True RMS Power Summing

Compressor
Threshold Range: -40 dBu to +20 dBu
Ratio: 1:1 to :1
Threshold Characteristic: Selectable OverEasy(R) or hard knee
Attack/Release Characteristic: AutoDynamic
Attack/Release Modes: Selectable Manual or Auto
Manual Attack Time: Scalable program-dependent
Manual Release Time: Scalable program-dependent
Auto Attack Time: Program-dependent
Auto Release Time: Program-dependent
Output Gain: -20 to +20 dB

Limiter
Threshold Range: +4 dBu to +24 dBu (off)
Ratio: :1
Limiter Type: PeakStopPlus two-stage limiter
Stage 1: PeakStop brickwall limiter
Attack Time: Zero
Release Time: Zero
Stage 2: Predictive intelligent program limiter
Attack Time: Program-dependent
Release Time: Program-dependent

Expander/Gate
Threshold Range: Off to +15 dBu
Ratio: 1:1 to 30:1
Attack Time: < 100 usec
Release Time: Program-dependent

Function Switches
SC Ext: Routes the external sidechain input signal to the detector.
SC Mon: Routes the sidechain signal to the output, interrupting the normal audio.
OverEasy: Activates the OverEasy compression function.
Contour: Activates the frequency-dependent detector function.
Auto: Activates automatic program-dependent attack and release times, disabling the manual Attack and Release controls.
I/O Meter: Switches between monitoring input and output levels on the Input/Output Level meter.
Bypass: Activates the direct input-to-output hard-wire relay bypass. Relay automatically hard-wire bypasses unit at power-down and provides a power-on delay of 1.5 sec.
Operating Level (rear panel): Switches the nominal operating level between -10 dBV and +4 dBu simultaneously for both input and output levels.
ST Link: Links both channels for stereo operation. Channel One becomes the master.

Indicators
Gain Reduction Meter: 12-segment LED bar graph at 1, 2, 4, 6, 9, 12, 15, 18, 21, 24, 27, and 30 dB
Input/Output Meter: 8-segment LED bar graph at -24, -18, -12, -6, 0, +6, +12, and +18 dBu
Compressor Threshold Meter: 3-segment LED bar graph at Below (-), OverEasy, and Above (+)
Exp/Gate Threshold Meter: 2-segment LED bar graph at Below (-) and Above (+)
Limiter, Threshold Meter: 1 LED to indicate PeakStopPlus limiting
Function Switches: LED indicator for each front-panel switch

Options
Output Transformer
Per Channel: Jensen JT-123-dbx or JT-11-dbx, BCI RE-123-dbx, or RE-11-dbx

Power Supply
Operating Voltage: 100-120 VAC 50/60 Hz 200-240 VAC 50/60 Hz
Power Consumption: 20 Watts
Fuse: 100-120 VAC: 250 mA Slow Blow
200-240 VAC: 125 mA Type T
Mains Connection: IEC receptacle

Physical
Dimensions (H x W x D): 1.75 x 19 x 9" (4.4 x 48.3 x 20.1 cm)

dbx 131S 31-Band Graphic EQ

Features

- Single 31-band, 1/3-octave Constant Q frequency bands
- Switchable boost/cut ranges of +/-6 or +/-12 dB
- 12dB per octave, 3dB down @ 50Hz low-cut filter
- Front panel bypass switch
- +/-12 dB input gain range
- 4-segment LED ladders for monitoring output levels
- XLR and TRS Inputs and Outputs
- Internal Toroidal Transformer
- Frequency Response of <10 Hz to >50kHz
- Dynamic range of greater than 108dB

specs

Inputs
- Connectors: 1/4 inch TRS, female XLR (pin 2 hot)
- Type: Electronically balanced/unbalanced, RF filtered
- Impedance: Balanced 40k ohm, unbalanced 20k ohm
- Max Input Level: >+21dBu balanced or unbalanced
- CMRR: >40dB, typically >55dB at 1kHz

Outputs
- Connectors: 1/4 inch TRS, male XLR (pin 2 hot)
- Type: Impedance-balanced/unbalanced, RF filtered
- Impedance: Balanced 100 ohm, unbalanced 50 ohm
- Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater
- >+18dBm balanced/unbalanced (into 600 ohm)

System Performance
- Bandwidth: 20Hz to 20kHz, +0.5/-1dB
- Frequency Response: <10Hz to >50kHz, +0.5/-3dB
- Dynamic Range: 108dB
- Signal-to-Noise: 90dB
- THD+Noise: <0.004%
- nterchannel Crosstalk: <-80dB, 20Hz to 20kHz

Function Switches
- EQ Bypass: Bypasses the graphic equalizer section in the signal path
- Low Cut: Activates the 50Hz 12dB/octave high-pass filter
- Range: Selects either +/- 6dB or +/- 12dB slider boost/cut range

Power Supply
- Operating Voltage: 100VAC 50/60Hz, 120VAC 60Hz, 230VAC 50/60Hz
- Power Consumption: 12W
- Mains Connection: IEC receptacle

dbx 234S Crossover (Stereo 2- or 3-Way, Mono 4-Way)

Features

- TRS differentially balanced ins and outs
- Mode switches for mono 4-way or stereo 2-way/3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
- dbx 2 year parts and labor as standard
- CSA NRTL/C approved
- CE compliant

The dbx 234S is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid click controls to the high quality 1/4 inch TRS inputs and outputs

specs

Inputs:
- Connectors: 1/4 inch TRS
- Type: Electronically balanced/unbalanced, RF filtered
- Impedance: Balanced >50k ohm, unbalanced >25k ohm
- Max Input Level: >+22dBu balanced or unbalanced
- CMRR: >40dB, typically >50dB at 1kHz

Outputs:
- Connectors: 1/4 inch TRS
- Type: Impedance-balanaced/unbalanced, RF filtered
- Impedance: Balanced 200 ohm, unbalanced 100 ohm
- Max Output Level: >+21dBu balanced/unbalanced into 2k or greater

Crossover Frequencies:
- Stereo Mode:
-- Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
-- Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
-- Mid/High: 450Hz to 9.6kHz (x10 setting)
- Mono Mode:
-- Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
-- Low-Mid/High-Mid: 450 Hz to 9.6 kHz
-- High-Mid/High: 450 Hz to 9.6 kHz
-- Filter type: Linkwitz-Riley, 24 dB/octave, state-variable

Function Switches:
- Front Panel (Low Cut): Activates 40Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel
- Phase Invert: Inverts the phase at the output, one switch per output

Rear Panel:
- x10: Multiplies crossover frequency range by 10, one switch per channel
- Mode: Selects stereo/mono and 2/3/4-way operation
- LF sum: Selects normal (stereo) or mono-summed low frequency operation

Indicators:
- Stereo Operation: Green LED
- Mono Operation: Yellow LED
- Low Cut: Red LED per channel
- x10: Green LED per channel
- Phase Invert: Red LED per output (3 per channel)

System Performance:
- Bandwidth: 20Hz to 20kHz, +0/-0.5dB
- Frequency Response: < 3 Hz to > 90 kHz, +0/-3 dB
- Dynamic Range: > 106 dB, unweighted, any output
- Interchannel Crosstalk: < -80 dB, 20Hz to 20 kHz
- Common Mode Rejection: Ref: +4dBu, 22kHz measurement bandwidth
- Stereo Mode:
-- >94dB (Low Output)
-- >93dB (Mid Output)
-- >90dB (High Output)
- Mono Mode:
-- >94dB (Low Output)
-- >94dB (Low/Mid Output)
-- >92dB (High/Mid Output)
-- >88db (High Output)

Power Supply:
- Operating Voltage: 100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz
- Power requirements: 15W

dbx 1215 Dual 15-Band Graphic Equalizer

Features:

Switchable Boost/Cut range between +/-6dB and +/-15dB

Electronically balanced/unbalanced inputs

Servo balanced/unbalanced outputs

RF filtered inputs and outputs

XLR, Barrier Strip, and 1/4 in. TRS connectors

-12dB/+12dB input gain range

18dB/octave 40Hz Bessel low-cut filter

Chassis/signal ground lift capability

Internal power supply transformer

Power-off hardwire relay bypass with 2-second power-up delay

specs

Inputs
Connectors: 1/4 in. Trs, Female Xlr (Pin 2 Hot), And Barrier Terminal Strip
Type: Electronically Balanced/Unbalanced, Rf Filtered
Impedance: Balanced 40K Ohm, Unbalanced 20K Ohm
Max Input Level: >+21Dbu Balanced Or Unbalanced
Cmrr: >40Db, Typically >55Db At 1Khz

Outputs
Connectors: 1/4 in. TRS, Male XLR (Pin 2 Hot), And Barrier Terminal Strip
Type: Impedance-Balanced/Unbalanced, Rf Filtered
Impedance: Balanced 200 Ohm, Unbalanced 100 Ohm
Max Output Level: >+21Dbu Balanced/Unbalanced Into 2K Ohm Or Greater
>+18Dbm Balanced/Unbalanced (Into 600 Ohm)

System Performance
Bandwidth: 20Hz To 20Khz, +0.5/-1Db
Frequency Response: <10Hz To >50Khz, +0.5/-3Db +/-15Db Range +/-6Db Range
Dynamic Range: 109Db 115 Db
Signal-To-Noise: 90 Db 97Db
Thd+Noise: <0.005%

Function Switches
Eq Bypass: Bypasses The Graphic Equalizer Section In The Signal Path
Low Cut (Recessed): Activates The 40Hz 18Db/Octave Bessel High-Pass Filter
Range (Recessed): Selects Either +/- 6Db Or +/- 15Db Slider Boost/Cut Range

Indicators
Output Level Meter: 4-Led Bar Graph (Green, Green, Yellow, Red) At -10, 0, +10, And +18Dbu
Eq Bypass: 1 LED: Red
Clip: 1 LED: Red
Low Cut: 1 LED: Red
+/-6Db: 1 LED: Yellow
+/-15Db: 1 LED: Red

Power Supply
Operating Voltage: 100Vac 50/60Hz, 120Vac 60Hz
230Vac 50/60Hz
Power Consumption: 24W
Mains Connection: IEC Receptacle

dbx Driverack RTA-M Real Time Analyzer Microphone

The RTA-M is an omni-directional, flat frequency measurement microphone specially designed for the Driverack series to pick up all frequencies from 20 Hz to 20 kHz, ensuring accurate "pinking"/real-time analysis of your audio. It runs on phantom power (supplied by the Driverack units) and comes with a clip and case

spec

Polar Pattern: omni-directional
- Element: Back electret-Condenser
- Frequency Response: 20 Hz - 20 kHz
- Impedance: 250 30% (at 1,000Hz)
- Sensitivity: -63 dB +-3 dB ( 0 dB=1V/ microbar 1,000 Hz indicated by open circuit )
- Operating Voltage: phantom power 9V-52VDC

dbx 234XS Crossover (Stereo 2- or 3-Way, Mono 4-Way)

Features

- XLR balanced ins and outs
- Mode switches for mono 4-way or stereo 2-way/3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
- dbx 2 year parts and labor as standard
- CSA NRTL/C approved
- CE compliant

The dbx 234XS is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid click controls to the high quality XLR inputs and outputs.

specs

Inputs:
- Connectors: XLR
- Type: Electronically balanced/unbalanced, RF filtered
- Impedance: Balanced >50k ohm, unbalanced >25k ohm
- Max Input Level: >+21dBu balanced or unbalanced

Outputs:
- Connectors: XLR
- Type: Electronically-balanaced/unbalanced, RF filtered
- Impedance: Balanced 60 ohm, unbalanced 300 ohm
- Max Output Level: >+20dBu balanced/unbalanced into 600 ohms or greater

Crossover Frequencies:
- Stereo Mode:
-- Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
-- Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
-- Mid/High: 450Hz to 9.6kHz (x10 setting)
- Mono Mode:
-- Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
-- Low-Mid/High-Mid: 450 Hz to 9.6 kHz
-- High-Mid/High: 450 Hz to 9.6 kHz
-- Filter type: Linkwitz-Riley, 24 dB/octave, state-variable

Function Switches:
- Front Panel (Low Cut): Activates 40Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel
- Phase Invert: Inverts the phase at the output, one switch per output

Rear Panel:
- x10: Multiplies crossover frequency range by 10, one switch per channel
- Mode: Selects stereo/mono and 2/3/4-way operation
- LF sum: Selects normal (stereo) or mono-summed low frequency operation

Indicators:
- Stereo Operation: Green LED
- Mono Operation: Yellow LED
- Low Cut: Red LED per channel
- x10: Green LED per channel
- Phase Invert: Red LED per output (3 per channel)

System Performance:
- Bandwidth: 20Hz to 20kHz, +0/-0.5dB
- Frequency Response: < 3 Hz to > 90 kHz, +0/-3 dB
- Dynamic Range: > 106 dB, unweighted, any output
- Interchannel Crosstalk: < -80 dB, 20Hz to 20 kHz
- Common Mode Rejection: Ref: +4dBu, 22kHz measurement bandwidth
- Stereo Mode:
-- >94dB (Low Output)
-- >93dB (Mid Output)
-- >90dB (High Output)
- Mono Mode:
-- >94dB (Low Output)
-- >94dB (Low/Mid Output)
-- >92dB (High/Mid Output)
-- >88db (High Output)

Power Supply:
- Operating Voltage: 100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz
- Power requirements: 15W

Physical:
- Dimensions(HxDxW): 1.75 x 6.9 x 19 inches (4.5x17.5x48.26cm)
- Weight: 4.0 lbs. (1.8 kg)

dbx 286S Microphone Preamplifier

Features

- Studio quality Mic Preamp/Channel Strip Processor
- Classic dbx Compression puts great sound within easy reach
- Frequency tunable De-Esser reduces sibilance and high frequency distortion
- Enhancer increases the detail and definition of the high and low frequencies
- Program adaptive Expander/Gate
- Insert jack allows you to add an external processor
- Full compliment of meters and status LEDs
- +48V Phantom Power
- Precision detented controls

Use the patented dbx OverEasy compressor to transparently smooth out uneven acoustic tracks or deliver that classic in your face vocal performance that only a dbx compressor can. Eliminate vocal sibilance and high frequency distortion from instruments such as cymbals with the frequency tunable De-Esser. Fine-tune the Enhancer HF Detail control to add sparkle and crispness to your tracks and make adjustments to the LF Detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low midrange frequencies. And, the separate threshold and ratio controls on the Expander/Gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps.

The dbx 286S offers a full compliment of metering and status LEDs to visually guide you to achieving the right sound. The floating balanced XLR Mic Input accepts balanced or unbalanced inputs to easily connect to professional and home studio microphones. The additional 1/4-inch TRS Line Input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mixdown. Use the Insert jack to interface between the Mic Preamp and the signal processing sections to loop out to external processors (such as EQ or delay unit) or to mix the Mic Preamp's signal out to an external destination.

specs

Mic Input:
- Input: Floating balanced, Pin 2 Hot
- Impedance: ~4.2k ohms
- Maximum Level: 0.25Vrms, Gain = 30dB
- Gain Adjustment Range: 0dB to +60dB
- Phantom Power: +48VDC, applied to XLR pins 2 and 3 through 6.81k ohm resistors
- CMRR: >40dB, typically 55dB
- EIN: -125dBu, 22Hz-22kHz, 150 ohm source impedance

Line Input:
- Input: Floating balanced, TIP Hot
- Impedance: 10k ohm unbalanced, 20k ohm balanced
- Maximum Level: >+21dBu, balanced or unbalanced
- Gain Adjustment Range: -15dB to +45 dB
- CMRR: >40dB, typically 55dB

Insert:
- Connector: 1/4 inch TRS phone, Normalled; tip is Send, ring is Return
- Ring: Impedance: >5k ohms
- Maximum Level: >+21dBu
- Tip: Impedance: 100 ohms
- Maximum Level: >+21dBu, >+20dBm (600 ohm load)
- Noise: <-89dBu, unweighted (20Hz-20kHz);
- Line Gain: Control set to 0dB
- Distortion: <0.01% THD, 20Hz-20kHz, +10dBu

Line Output:
- 1/4 inch TRS phone: Balanced/Unbalanced
- Impedance: 100 ohm unbalanced, 200 ohm balanced
- Maximum Level: >+21dBu, >+20dBm (600 ohm load)
- Gain Adjustment Range: -30dB to +10dB
- Noise: <-80dBu unweighted (20Hz-20kHz); Both Gain Controls set for 0dB, all processing controls OFF
- Frequency Response: 20Hz to 20kHz, +0.5/-0.5dB
- Distortion: <0.08%THD, 20Hz-20kHz, +10dBu, all Processing Controls OFF

Compressor:
- Threshold Range: -40dBu to +20dBu
- Threshold Characteristics: OverEasy
- Compression Ratio: >4:1 For input levels beyond 20dB above threshold
- Maximum Compression: 30dB
- Attack Time: Program-Dependent; >1s for small level increases, down to 10ms for larage increases
- Release Time: Program-Dependen; adjustable between approximately 1dB/sec and 75dB/sec
- Distortion: Typically <0.05%THD, 20Hz-20kHz, 15dB G/R, +10dBu Output, DENSITY at 0
- SMPTE Intermodulation Distortion: <0.05%; 60Hz/7kHz 4:1, 15dB G/R, +10dBu Output Level, DENSITY at 0

De-Esser:
- Characteristic: Wideband Gain Reduction
- Frequency Range: 800Hz to 10kHz High Pass, 12dB/octave
- Release Time: Program-Dependent approximately 1ms/dB

Enhancer:
- HF Detail Characteristic: Program-controlled shelving equalizer, approximately 15dB maximum HF boost
- LF Detail Characteristics: Bell-shaped boost at 80Hz, bell-shaped cut at 250Hz, ratio is approximately 2:1

Expander/Gate:
- Threshold Range: OFF to +15dBu
- Expansion Ratio: Adjustable 1.5:1 to 10:1
- Maximum Depth: >50dB
- Attack Time: Program-Dependent, approximately 2mS (at maximum attenuation)
- Release Time: Program-Dependent, approxiamtely 10mS/dB
- Dynamic Range: Typically 105dB

Power:
- Power Requirements: 15watts
- Operating Voltage: DO: 120VAC 60Hz, 100VAC 50/60Hz; EU: 230VAC 50/60Hz
- Physical:
- Dimensions: 1.75 x 5.75 x 19 inches (4.5x14.6x48.5cm)
- Weight: Net Weight: 4.5 lbs/2.04 Kgs

dbx 2231 Dual 31-Band Graphic Equalizer

Features:

- dbx's revolutionary Type IIITM Noise Reduction system, which increases S/N ratio by up to 20dB
- PeakPlus limiting technology with threshold range from 0dBu to +24dBu (off)
- Two 31-band, 1/3-octave channels with switchable boost/cut ranges of +6 or +15 dB
- +12 dB input gain range
- XLR, Barrier strip, and 1/4" inputs
- 4-segment LED ladders for monitoring of gain reduction and output levels -- the most comprehensive visual feedback available
- Exceptional sound quality
- dbx's unmatched engineering and construction standard

specs

Inputs:
- Connectors: 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
- Type: Electronically balanced/unbalanced, RF filtered
- Impedance: Balanced 40kS, unbalanced 20kS
- Max Input Level: >+21dBu balanced or unbalanced
- CMRR: >40dB, typically >55dB at 1kHz

Outputs
- Connectors: 1/4 in. TRS, male XLR (pin 2 hot), and barrier terminal strip
- Type: Impedance-balanced/unbalanced, RF filtered
- Impedance: Balanced 200S, unbalanced 100S
- Max Output Level: >+21dBu balanced/unbalanced into 2kS or greater

System Performance
- Bandwidth: 20Hz to 20kHz, +/-0.5dB
- Frequency Response: <10Hz to >50kHz, +0.5/-3dB
- Noise Reduction In (+/-6 and +/-12dB range):
- Signal-to-Noise: >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
- Dynamic Range: >120dB, unweighted
- Noise Reduction Out: (+/-6dB range):
- Signal-to-Noise: >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
- Dynamic Range: >112dB, unweighted
- Noise Reduction Out: (+/-12dB range):
- Signal-to-Noise: >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
- Dynamic Range: >108dB, unweighted
- THD+Noise: <0.04%, 0.02% typical at +4dBu, 1kHz
- Interchannel Crosstalk: <-80dB, 20Hz to 20kHz (2215/2231)
- Noise Reduction: Up to 20dB of dynamic broadband noise reduction

Function Switches
- Type III NR: Activates dbx Type III' Noise Reduction
- EQ Bypass: Bypasses the graphic equalizer section in the signal path
- Low Cut (recessed): Activates the 40Hz 18dB/octave Bessel high-pass filter
- Range (recessed): Selects either +/- 6dB or +/- 15dB slider boost/cut range

Indicators
- Output Level Meter: 4-LED bar graph (Green, Green, Yellow, Red) at -10, 0, +10, and +18dBu
- Gain Reduction Meter: 4-LED bar graph (all Red) at 0, 3, 6, and 10dB
- Type III NR Active: Yellow LED
- EQ Bypass: Red LED
- Clip: Red LED
- Low Cut Active: Red LED
- +/-6dB range: Red LED
- +/-12dB range: Red LED

Power Supply
- Operating Voltage: 100VAC 50/60Hz, 120VAC 60Hz, 230VAC 50/60Hz
- Power Consumption: 23W
- Mains Connection: IEC receptacle

Physical Dimensions: 3.5" H X 19" W X 7.9" D (8.9 cm x 48.3 cm x 20.1 cm)

dbx 231S Dual 31-Band Graphic Equalizer

Features

- Dual 31-band, 1/3-octave Constant Q frequency bands
- Switchable boost/cut ranges of +/-6 or +/-12 dB
- Front panel bypass switch
- +/-12 dB input gain range
- 4-segment LED ladders for monitoring output levels
- XLR and TRS Inpts and Outputs
- Frequency Repsonse of <10Hz to >50kHz
- Dynamic range of greater than 108dB

The dbx 231S includes two 31-band channels of 1/3-octave equalization, +/-12 dB input gain, switchable +/-6 dB or +/-12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231S offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231S is destined to take its rightful place in the lineage of great DBX signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

specs

Input:
- Connectors: 1/4 inch TRS, female XLR (pin 2 hot)
- Type: Electronically balanced/unbalanced, RF filtered
- Impedance: Balanced 40k ohm, unbalanced 20k ohm
- Max Input Level: >+21dBu balanced or unbalanced
- CMRR: >40dB, typically >55dB at 1kHz

Outputs:
- Connectors: 1/4 inch TRS, male XLR (pin 2 hot)
- Type: Impedance-balanaced/unbalanced, RF filtered
- Impedance: Balanced 100 ohm, unbalanced 50 ohm

System Performance:
- Bandwidth: 20Hz to 20kHz, +0.5/-1dB
- Frequency Response: <10Hz to >50kHz, +0.5/-3dB
- Dynamic Range: Typicall >112dB
- Signal-to-Noise: Typically >95dB
- THD+Noise: <0.003%
- Interchannel Crosstalk: <-90dB, 20Hz to 20kHz

Function Switches:
- EQ Bypass: Bypasses the graphic equalizer section in the signal path
- Low Cut: Activates the 50Hz 12dB/octave high-pass filter
- Range: Selects either +/- 6dB or +/- 12dB slider boost/cut range

Power Supply:
- Operating Voltage: 100VAC-240VAC 50/60Hz
- Power consumption: 15W
- Mains Connection: IEC receptacle

Physical:
- Weight: 6.2 lbs.(2.81 kg)
- Dimensions(HxDxW): 3.5 x 6 x 19 inches (8.9x15.24x48.26cm)

Mackie Thump TH-15A 2-Way Active Loudspeaker (400 Watts, 1x15")

Features:

- 400 watts of power, with Mackie's Fast Recovery (TM) technology

- 15-inch high-precision woofer
- 1-inch compression driver
- Mackie active electronics for system optimization
- Precision two-way crossover with transducer time-alignment
- Three-band semi-parametric EQ with variable mid-frequency
- Single XLR input
- Durable and lightweight construction
- Pole-mountable
- Lightweight and portable (36 pounds)

spe

Acoustic Performance

- Frequency Range (-10 dB): 40 Hz - 20 kHz
- Frequency Response (-3 dB): 50 Hz - 18.5 kHz
- Horizontal Coverage Angle: 90 degrees
- Vertical Coverage Angle: 60 degrees
- Maximum SPL Long-Term: 113 dB SPL @ 1m
- Maximum SPL Peak: 116 dB SPL @ 1m

Input/Output
- Input Type: Female XLR Balanced/Unbalanced
- Input Impedance: 20 k ohms balanced bridging; 10 k ohms unbalanced
- Loop-through: Male XLR Balanced/Unbalanced (parallel with input)
- Level Control: Rotating knob, 0 dB at center
- Sensitivity: +4 dBu for full output (Level Control @ Center) -36 dBu for full output (Level Control @ Max)

Transducers
- Low Frequency: 15 in/381 mm with steel frame, paper cone woofer
- High Frequency: Horn-loaded 1 in/25 mm exit, compression driver

Low Frequency Power Amplifier:
- Rated Power: 150 watts, 8 ohm load
- 182 watts peak
- THD: <0.1%
- Signal-to-Noise Ratio: > -94 dB, 20 Hz to 20 kHz, unweighted, referenced to 138 watts into 8 ohms
- Design: BTL Class D

High Frequency Power Amplifier
- Rated Power: 50 watts, 4 ohm load
- 60 watts peak
- THD: <0.1 %
- Signal-to-Noise Ratio: > -97 dB, 20 Hz to 20 kHz, unweighted, referenced to 50 watts into 4 ohms
- Design: Class AB

Electronic Crossover
- Crossover Type: 24 dB/octave
- Crossover Frequency: 3 kHz

Equalization
- Low Frequency EQ: +/-15 dB @ 80 Hz, shelving
- Mid Frequency EQ: +/-15 dB, bandpass, sweepable from100 Hz to 8 kHz
- High Frequency EQ: +/-15 dB @ 12 kHz, shelving
- Direct/EQ Switch: Bypasses EQ section

Protection Features
- Over-excursion Protection: Second-order sub-sonic filter
- Thermal Protection: Independent amplifier shutdown, auto reset
- Driver Protection: Independent HF and LF compressors

AC Power Requirements
- US: 120 VAC, 60 Hz
- Europe: 240 VAC, 50 Hz
- Korea: 220 VAC, 60 Hz
- Japan: 100 VAC, 50/60 Hz
- AC Connector: 3-pin IEC 250 VAC, 20 A male
- Fuse: 115 VAC: T 3.15 AL/250 V 230 VAC: T 2 AL/250 V
- Power Consumption: 320 watts with music, loud mix 20 watts quiescent (idle)

Construction Features
- Basic Design: Asymmetrical Trapezoidal
- Material: Polypropylene
- Finish: Textured
- Handles: One on each side, one on top
- Grille: Perforated metal with weather-resistant coating
- Display LEDs Front: Power ON, Rear: Power ON, OL (overload)

Physical Dimensions
- Height: 27.1" / 689 mm
- Width: 16.8" /427 mm
- Depth: 11.7" /296 mm
- Weight: 36 lb/16.3 kg

Behringer B212D Powered Speaker (550 Watts, 1x12")

Features:

- High-power 550-Watt 2-way PA sound reinforcement speaker system for live and playback applications
- Ultra-compact and light weight system delivers excellent sound even at extreme sound pressure levels
- Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
- Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption
- Extremely powerful 12 in. long-excursion driver provides incredibly deep bass and acoustic power
- State-of-the-art 1.35 in. aluminum-diaphragm compression driver for exceptional high-frequency reproduction
- Ultra-wide dispersion, large-format exponential horn
- Ultra-low noise Mic/Line input with Volume control and Clip LED
- Dedicated 2-band EQ for perfect sound adjustment
- Additional Line output allows linking of additional speaker systems
- Versatile trapezoidal enclosure design allows different positioning. Stand mounting with 35-mm pole socket or tilt on its side for use as a floor monitor
- Ergonomically shaped handles for easy carrying and setup
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by Behringer Germany

QSC GX7 Power Amplifier (1000 Watts)

Features:

- 2 x balanced XLR and 1/4-inch TRS (one on each channel)

- RCA phono connectors
- Speakon combo XLR/TRS connectors (on each channel)
- 2-pole and 4-pole plugs
- Positive/negative binding posts
- 100 Hz LF/HF Crossover switch
- GuardRail Heat and Peak limiting system
- Clipping monitor LED light
- All-steel chassis

spe

Output watts per channel:

- 8 Ohms / both channels driven: 725 Watts
- 8 Ohms / single channel driven: 800 Watts
- 4 Ohms / both channels driven: 1000 Watts
- 4 Ohms / single channel driven: 1200 Watts

PreSonus StudioLive 18sAI Active Subwoofer Speaker (1000 Watts, 1x18")

Features:

- 18-inch transducer with 1,000-watt, Class D amplifier

- Active Integration 32-bit, 96 kHz DSP with variable crossover, dynamic limiting, and excursion limiting
- Wireless networking with free SL Room Control software for Mac, Windows, and iPad enables complete setup, tuning, and monitoring
- Stereo line inputs (XLR-1/4" combo) and switchable stereo/summed-mono line outputs (XLR)
- Alignment delay (switchable: 0, 2, or 4 feet) enables subwoofer to be placed in different positions relative to a full-range speaker system
- Integrated pole insert and interlocking stacking provisions
- Active Integration 32-bit, 96 kHz DSP with more processing power than three rack speaker processors
- Wireless or wired networking with SL Room Control for complete setup, tuning, and monitoring from anywhere in your venue.
- Network Setup Wizard automatically detects each speaker and allows you to quickly connect to your wireless router network.
- Remote control over Maximum SPL/output level, high-pass filter, onboard operational modes, performance monitoring, mute, speaker delay, polarity, and variable crossover
- Variable low-pass filter
- Visually display room layout on a laptop or iPad
- Edit, save, recall, and share speaker-setup parameters
- Universal Switch mode power supply with power-factor correction
- Comfortable, ergonomic handles
- Ships with Ethernet connection for wired control; optional Dante card
- Optional mountable Sub Dolly and pull-tested Sub Pole to mount a full-range system atop the 18sAI

speci

Dimensions and Weight in Packaging

Shipping Weight: 100 lbs

Shipping Dimensions: 27 x 25 x 23 in

Behringer B1500D PRO Eurolive Active Subwoofer (1400 Watts, 1x15")

Features

- High-performance 1400-Watt powered subwoofer for PA applications

- Powerful 15" long-excursion transducer with high temperature voice coil provides incredibly accurate and pulse-pounding bass
- Extremely high sound pressure level (126 dB half space 1 W @ 1 m)
- Precise reproduction of ultra-low frequencies (35 - 150 Hz) for "bulletproof" punch and impact
- State-of-the-art 1400-Watt Class-D amplifier with comprehensive over-excursion, thermal and clip limit protection
- Built-in active stereo crossover provides high-pass filtered outputs for full-range loudspeakers
- Tunable and switchable Bass Boost plus Phase switch for ultimate low-frequency performance
- Variable High Cut control for perfect sound alignment
- Subwoofer Level control to adjust the balance between subwoofer and the full-range speakers
- Power, Signal and Clip LEDs for perfect monitoring
- Intelligent limiter for maximum sound performance and woofer protection
- Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption
- Pole socket for mounting with commercial spacer poles
- Ergonomically shaped handles for easy transport
- Rugged steel grill for optimal speaker protection
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany

Class-D amplifiers (with switch-mode power supplies) drive the custom-designed low frequency drivers for sonically optimized output. And the best part of all--the B1500D PRO provides a much better power-to weight ratio than many competing active subwoofers. Powered by 1400 Watts through 15-inch speakers. As always, the speakers are made by Behringer in their own factory.

Put simply, these cool-running systems are much lighter, making them ultra-easy to transport and set up-- and the no-compromise design means you get amazingly-deep, chestpounding bass that will keep the party going all night long. They'll add needed bottom-end to your active full-range speaker system.

speci

Dimensions (HxWxD): 18.3 x 27.6 x 19.0" /465 x 700 x 482 mm

Weight: 92.6 lbs / 42 kg

Dimensions and Weight in Packaging: Shipping Weight: 99 lbs; Shipping Dimensions: 29 x 26 x 24 in

Gemini GVX-SUB12P Powered Subwoofer (1200 Watts, 1x12")

Features

- 300W RMS 1200W Peak

- 12-inch woofer w/2.0-inch (50.8 mm) voice coil and 50oz magnet
- Built in amp with limiter circuit
- Perforated steel mesh grille
- Recessed flush handles
- Water-resistant textured black paint
- Balanced XLR/ 1/4-inch (6.5 mm) combo Input,
- Balanced XLR Full range output and high pass output
- Electronic crossover w Adjustable frequency control (55Hz ~ 200Hz)
- Linear frequency response between 47Hz - 250Hz
- Phase inverter switch
- 35mm Pole mount fitting

speci

System Power Rating: 300 W RMS / 1200 W PEAK

- Frequency range: 47 Hz - 250 Hz
- Maximum Sound pressure level: 128 dB
- Woofer size: 12-inch
- Woofer Magnet: 50 oz
- Low frequency driver: 2.0" (50.8 mm) Voice Coil
- Crossover frequency adjust: 55Hz to 200Hz
- Enclosure: 18 mm (3/4"), MDF
- Finish: Black acrylic lacquer
- Grille: Metal grille
- Handles: 1 Ergonomic handle on each side
- Pole mount: diameter 35 mm
- Weight: 52.9 Lbs/ 24 kgs
- Dimensions (WxHxD): 15.7" x 19.7" x 19.3" (398 mm x 500 mm x 490 mm)

Dimensions and Weight in Packaging: Shipping Weight: 57 lbs; Shipping Dimensions: 23 x 23 x 18 in

Yamaha DSR118W Powered Subwoofer (800 Watts, 1x18")

Features

- 18-inch active subwoofer

- 800-watt Class-D amplifier with PFC switching mode power supply
- Maximum SPL 132dB peak
- Extensive protection of the transducers, amplifiers and power supply
- Low-frequency extension down to 40Hz
- Compact design
- Top panel pole mount for satelite configuration
- Next-generation active loudspeakers incorporating high performance DSP* and high power Class-D amplifiers with PFC switching mode power supply *full range models only
- Advanced digital sound processing
- FIR-X tuning for the smoothest possible crossover transitions
- High power DSP and 24-bit discrete ADCs and DACs for maximum dynamic range
- D-Contour(Dynamic-Contour) multi-band dynamic processing provides consistent clarity at both high and low output levels.
- Compact and lightweight, yet capable of 1300 watts*(LF850W, HF450W) power output. Loudest,cleanest output of any loudspeakers in their class.

*DSR118W:800W

- Extensive protection of the transducers, amplifiers and power supply from high performance DSP.
- Premium-grade, custom-designed transducers
- Exclusive LTBD (Long Throw, Broad Dispersion) constant directivity waveguide horns provide expansive 90* 60* coverage.
- Stand and pole mountable, with 35mm pole sockets (DSR112, DSR115).
- M10 rigging points for suspended installation (DSR112, DSR115).
- DSR112 can be tilted for use as a floor monitor.

speci

800W Class-D amplifier with PFC* switching mode power supply

*Power Factor Correction

Maximum SPL 132dB peak

Extensive protection of the transducers, amplifiers and power supply

Compact design

Low-frequency extension down to 40Hz

Premium-grade, custom designed transducers

Long travel, cast frame 18" woofer

High power, low distortion output

Top panel pole mount for satellite configuration

Heavy-duty 16-gauge steel grille

Locking IEC cable

Dimensions and Weight in Packaging: Shipping Weight: 105 lbs; Shipping Dimensions: 31 x 27 x 25 in

http://awseb.blogspot.in/p/sound-equipment.html

Features

- Custom 21-inch Legendary Stroker technology using a three spider driver design

- Built-in system amplification optimized for the 21-inch woofer
- Master/ Slave Outputallows for daisy-chaining multiple subs reduces cable connections
- Onboard Parametric Equalizer allows control of performanceoutput by control of the gain, frequency, and Q
- Cast Aluminum Grille protects the woofer and acts as a heatsink by reducing power compression
- Rugged Hardwood Enclosure and removable casters reliable from gig to gig
- Three top-mount industry standard 35mm Pole Sockets accommodate single or multiple CVA-28s using the CVA accessories.

zZounds is an authorized dealer of Cerwin-Vega products.

speci

Power: Continuous Continuous 1200 watts peak 2400 watts
Power Consumption: 2000 watts 16.7amps
Frequency Response: 35 Hz - 135 Hz (+/-3 dB)
Frequency Range: 32 Hz - 135 Hz (-10 dB)
Max SPL: 135 dB
Crossover: LPF 65 Hz - 130 Hz HPF 25 Hz
Connectors:
- Inputs XLR/F Balanced (x2) 1/4" TRS (x2)
- Outputs XLR/M (x2)XLR/M Slave
Controls: HPF 65 Hz, 85 Hz, 130 Hz Variable LPF 65 Hz, 130 Hz polarity 0 - 180 degrees parametric EQ Gain, freq, Q
Driver: model, SW21C, size 21"
Voice Coil: 4"
Enclosure: Multi-ply hardwood Coolex Paint or Black Carpet
Dimensions: 31.75" x 23.5" x 23.5" 806 mm x 533 mm x 533 mm
Weight: subwoofer 180 lb (81.6 kg) shipping 186 lb (84.4 kg)

Dimensions and Weight in Packaging
Base Item: Shipping Weight: 190 lbs; Shipping Dimensions: 34 x 26 x 25 in

Mackie SRM1801 Powered Subwoofer (1000 Watts, 1x18")

Specifications

Acoustic Performance
Frequency Range (-10 dB): 35 Hz - 150 Hz
Frequency Response (-3 dB): 50 Hz - 115 Hz
Max peak SPL (calculated)1: 129 dB
Max peak SPL (measured)2: 124 dB

Transducer
Diameter: 18" / 457 mm
Voice coil diameter: 3 in / 76 mm
Diaphragm material: Paper
Magnet material: Ferrite

Power Amplifier
Rated Power: 500 watts rms, 1000 watts peak
THD: <0.1%
Design: Class D
Cooling: Convection
Input/Output
Input Type: Female XLR Balanced differential (stereo left/right)
Input Impedance: 20 k balanced
Full Range Output: Male XLR Balanced (parallel with input)
High Pass Output: Male XLR Balanced
Level Control: -6 dB to +6 dB

Electronic Crossover
Crossover Type: 24 dB/oct. Linkwitz- Riley
Crossover Frequency: 125 Hz

Protection Features
Over-excursion Protection: 40 Hz 24 dB/oct. Butterworth High Pass Filter
Thermal Protection: Amplifier mute, auto reset
Driver Protection: Peak/RMS Limiter
Display LEDs: Thermal, OL, Signal, Power

AC Power Requirements
US: 100-120 VAC, 50-60 Hz
Fuse: T 6.3A H 250V
Europe: 220-240 VAC, 50-60 Hz
Fuse: T 3.15A H 250V
Power Consumption: 160 watts @ 1/4 power
AC Connector: 3-pin IEC 250 VAC, 15 A male

Construction Features
Basic Design: Trapezoidal
Material: Void-free plywood
Finish: Textured black catalyzed polyurethane paint
Handles: One on each side
Grille: Perforated metal

Physical Properties
Height: 24.1" / 612 mm
Front Width: 20.2" / 513 mm
Rear Width: 15.1" / 383 mm
Depth: 25.3" / 643 mm
Weight: 73 lb / 33.1 kg

Behringer B1800D PRO Eurolive Active Subwoofer (1400 Watts, 1x18")

Features

- High-performance 1400-Watt powered subwoofer for PA applications

- Powerful 18-inch long-excursion transducer with high temperature voice coil provides incredibly accurate and pulse-pounding bass
- Extremely high sound pressure level (127 dB half space 1 W @ 1 m)
- Precise reproduction of ultra-low frequencies (35 - 150 Hz) for "bulletproof" punch and impact
- State-of-the-art 1400-Watt Class-D amplifier with comprehensive over-excursion, thermal and clip limit protection
- Built-in active stereo crossover provides high-pass filtered outputs for full-range loudspeakers
- Tunable and switchable Bass Boost plus Phase switch for ultimate low-frequency performance
- Variable High Cut control for perfect sound alignment
- Subwoofer Level control to adjust the balance between subwoofer and the full-range speakers
- Power, Signal and Clip LEDs for perfect monitoring
- Intelligent limiter for maximum sound performance and woofer protection
- Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption
- Pole socket for mounting with commercial spacer poles
- Ergonomically shaped handles for easy transport
- Rugged steel grill for optimal speaker protection
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by Behringer Germany

Class-D amplifiers (with switch-mode power supplies) drive the custom-designed low frequency drivers for sonically optimized output. And the best part of all--the B1800D PRO provides a much better power-to weight ratio than many competing active subwoofers. Powered by 1400 Watts through 18-inch speakers. As always, the speakers are made by Behringer in their own factory.

Put simply, these cool-running systems are much lighter, making them ultra-easy to transport and set up-- and their no-compromise design means you get amazingly-deep, chestpounding bass that will keep the party going all night long. They'll add needed bottom-end to your active full-range speaker system.

speci

Dimensions and Weight in Packaging

Shipping Weight: 120 lbs

Shipping Dimensions: 33 x 28 x 28 in

QSC KW181 Powered Subwoofer (1000 Watts, 1x18")

Features:

- 1000-watt powered subwoofer (2 x 500-watt Class D amplifiers)

- 1000 watts continuous output, 2000 watts peak
- 18-inch woofer
- Includes fixed-length, M20 threaded speaker pole and pole-mounting cup
- Rugged birch plywood enclosure with textured black paint
- Tour-grade 16-gauge protective steel grille
- Ergonomic steel handles
- Quiet casters
- Reverse polarity switch
- 2 combination XLR-1/4" TRS line-level inputs
- DEEP switch for additional bass extension
- Auto-standby mode triggers after 5 minutes of inactivity
- Front LED modes: POWER illuminates when the unit is powered on, OFF disables the LED, and LIMIT mode illuminates when the clip-limiter circuit is engaged.
- Remote gain control ready via the Phoenix-style connector; multiple KW181s are daisy-chainable from a single remote pot

Specifications:

- Configuration: 18-inch subwoofer
- Transducer: 18-inch cone transducer
- Frequency Response (-6 dB): 43 Hz - 97 kHz
- Frequency Range (-10 dB): 39 Hz - 145 Hz
- Maximum SPL (1 meter): 132 dB peak
- Power Output: 1000 W Class D continuous
- Input Impedance (ohms): XLR / 1/4-inch : 38k balanced / 19k unbalanced
- Indicators: Power, Signal, Standby, Limit
- Connectors: Dual balanced female XLR-1/4-inch line level input, Dual Balanced male XLR full range line level out, Remote gain control, Locking IEC power connector
- Cooling: On demand, 50 mm variable speed fan
- Amplifier Protection: Thermal limiting, output overcurrent, overtemperature muting, GuardRail
- Transducer Protection: Thermal limiting, excursion limiting
- AC Power Input: Universal power supply 100 - 240 VAC, 50 - 60 Hz
- Material: 15 mm painted birch plywood
- Finish: Black textured paint
- Grille: Black powder coated 16 gauge steel
- Dimensions (HxWxD): 20.1 x 23.4 x 29.9 inches with casters (510 mm x 595 mm x 761 mm with casters)
- Weight (Net): 83 pounds (37.6 kg)

AC Power Consumption (1/8 Power):
- 100 VAC, 2.3 A
- 120 VAC, 2.01 A
- 230 VAC, 1.13 A

Controls:
- Power
- Gain
- LF Mode (Normal/DEEP)
- Polarity (Normal/Reverse)
- Front LED (On/Off/Limit)

Dimensions and Weight in Packaging: Shipping Weight: 117 lbs; Shipping Dimensions: 36 x 29 x 23 in

YAMAHA 02R96VCM

A New Revolution in Standards

The successor to the 02R, the de facto standard for production consoles, now comes with VCM and other plug-in effects as standard.

Features

A Complete Revamp of the Legendary 02RPrecise 24-bit/96-kHz Audio and High-performance Head Amps56-input 18-bus Mix Capacity at 96 kHzPowerful Channel Functions with Flexible Control and PatchingFour Advanced Multi-effect Processors Include Surround EffectsVersatile Connectivity for a Wide Range of ApplicationsFour I/O Expansion Slot for Easy Expansion in a Variety of FormatsComprehensive Interface with Touch-sensitive 100-mm Motor FadersScene Memory and Automix Functions for Efficient WorkflowVersatile Pairing and Grouping Functions Enhance Mixing Efficiency02R96 Editor Software SuppliedSophisticated DAW or Digital Recorder IntegrationAn Ideal Platform for Surround ProductionEnhanced Surround Monitoring Environment Includes Bass ManagementVersion 2 Implements Ideas from the Field(Version2)Seamless Add-on Effects Support(Version2)A Major Studio Manager Evolution(Version2)Versatile V2 features plus a formidable array of plug-in processors(02R96VCM)VCM Technology(02R96VCM)iSSP Technology(02R96VCM)REV-X(02R96VCM)

YAMAHA DM1000VCM

Powerful and Compact for Production, Broadcast, and Live Sound Environments

Offering the mixing functionality of the DM2000 in a compact, rack-mountable body, the DM1000VCM digital mixer provides robust support for the production, broadcast, and live-sound, and now comes with VCM and other plug-in effects as standard.

Features

Precise 24-bit/96-kHz Audio and High-performance Head Amps
48-input 18-bus Mix Capacity at 96 kHz
Powerful Channel Functions with Flexible Control and Patching
Versatile Connectivity for a Wide Range of Applications
Two I/O Expansion Slots for Easy Expansion in a Variety of Formats
Four Advanced Multi-effect Processors Include Surround Effects
Comprehensive Interface with Touch-sensitive 100-mm Motor Faders
Scene Memory and Automix Functions for Efficient Workflow
Versatile Pairing and Grouping Functions Enhance Mixing Efficiency
DM1000 Editor Software Supplied
Sophisticated DAW or Digital Recorder Integration
An Ideal Platform for Surround Production
Enhanced Surround Monitoring Environment Includes Bass Management
A Powerful Performer in Live Sound Settings
Functions and Performance Fine-tuned for Professional Use
Powerful New Functions for Applications from Production to Live Sound to Broadcast.(Version2)
Seamless ADD-ON EFFECTS Support(Version2)
ESAMII Video Editor Support(Version2)
A Major Studio Manager Evolution(Version2)
Versatile V2 features plus a formidable array of plug-in processors(DM1000VCM)
VCM Technology(DM1000VCM)
iSSP Technology(DM1000VCM)
REV-X(DM1000VCM)

YAMAHA DM2000VCM

96 Inputs and 22 Buses For Glorious Surround Sound

The world's first THX pm3 certified digital mixer, the DM2000VCM embodies Yamaha's dedication to providing the best in surround production. It boasts 96 inputs and 22 mixing buses, and now comes with VCM and other plug-in effects as standard.

Features

Precise 24-bit/96-kHz Audio and High-performance Head Amps
96-input 22-bus Mix Capacity at 96 kHz
Powerful Channel Functions with Flexible Control and Patching
Eight Advanced Multi-effect Processors Plus Six 31-band GEQs
Versatile Connectivity for a Wide Range of Applications
Six I/O Expansion Slots for Easy Expansion in a Variety of Formats
Cascade Connector and a Generous Selection of Control Interfaces
An Ideal Platform for Surround Production
Enhanced Surround Monitoring Environment Includes Bass Management
Sophisticated DAW or Digital Recorder Integration
Scene Memory and Automix Functions for Efficient Workflow
Versatile Pairing and Grouping Functions Enhance Mixing Efficiency
Comprehensive Interface with Touch-sensitive 100-mm Motor Faders
DM2000 Editor Software Supplied
Version 2 Implements Ideas from the Field(Version2)
Seamless ADD-ON EFFECTS Support(Version2)
A Major Studio Manager Evolution(Version2)
ADD-ON EFFECTS Built In(DM2000VCM)
VCM Technology(DM2000VCM)
iSSP Technology(DM2000VCM)
REV-X(DM2000VCM)

YAMAHA LS9

Lightweight, compact digital mixers with advanced features and outstanding sound quality.

Incredibly compact, lightweight digital live-sound consoles with recallable head amps, a built-in USB memory recorder/player, and stunning sound quality.

features

StageMix provides remote control of LS9 functions
Lightweight and Compact for Superior Portability and Handling
Choose the Model that Suits Your Needs
No-compromise Analog Circuit Design Delivers the Best Sound in this Class
Intuitive Interface
16 or 32 Mono Input Channels Plus 4 Stereo Input Channels expandable up to 32 or 64 channels in Two Layers
Extensive Channel Functionality
16 Mix Buses, 8 Matrix Buses, Plus Stereo and Mono Buses with LCR Mode
Virtual Rack with Top-quality Effects
Recall Safe and Recall Focus...Right Down to Head Amp Gain
USB Memory Recorder/Player for Convenient Recording and BGM or Effect Playback
Detailed Access Management
LS9 Editor Software for Enhanced Operability and Programmability

YAMAHA M7CL

Digital Live Sound Mixing with the Comfort and Efficiency of Analog

An innovative Centralogic™ control interface makes these digital live-sound consoles as intuitive to use as analog consoles.

Features

StageMix provides remote control of M7CL functions
Centralogic™ Total Access for Absolute Control
Virtual Rack
Versatile Channel Module Functions
Outstanding Effects and Effect Control
Waves SoundGrid System
Efficient Interface and Control Functions
Features for Optimum Monitoring
Memory & Recall
Access and Data Management
Sends on Fader in M7CL V3 Editor
M7CL-48ES: Onboard EtherSound and 3rd Port
M7CL-48ES: Auto-configuration for Plug-and-Play Convenience
M7CL-48ES: Analog Insert via OMNI I/O
AuviTran Network ASIO Streamer support for the M7CL-48ES
HA Remote signal output from Slot 1 (M7CL-48ES only).
Version3.5 New Features

PM5D V2, PM5D-EX

The Scalable Standard for Digital Live Sound
A powerful choice for medium to large-scale live sound, the PM5D is available as a stand-alone console, or as the double-capacity PM5D-EX system featuring the console plus a DSP5D Digital Mixing System.

Features

A Choice of Head Amps: PM5D or PM5D-RH
Versatile Configuration with Flexible I/O Patching Capability
PM5D-EX Expanded Digital Mixing System for Double I/O Capacity and Processing Power
Open Architecture for Flexible Live Sound and Recording
Virtual Soundcheck Capability
96-kHz Processing for Superior Sound and Response
Advanced Analog Circuitry, Including Top-quality Head Amps
Extensive Channel and Output Functions
Eight Effect Processors and 12 Graphic EQs
Optimized for Live Sound Applications
Software Built on the PM1D Experience
Channel Move Function
Universal power supply
Enhanced Interoperability with External Devices
Digital Cabling Capability with PM5D-EX
Supplied PM5D Editor Application for Extended Control and Efficiency
Solid Security

PM1D Digital Mixing System

The first in the "PM Digital" series, and the mixing system that defined modern digital sound reinforcement. Version 2 features built-in Add-on Effect, remote control features, and much more.

FEATURES

The Flagship and a New Direction for the PM Series
Scalable Component Architecture and a Generous Bus Complement
Distributed Modular Concept and Revolutionary Digital Technology
Redesigned Head Amplifiers Deliver an Assertive New PM SounD
Rugged Hardware and Software for Superior Reliability
A Wealth of Channel Functions Plus the Selected Channel Interface
8 Internal Effect Processors and 24 GEQs for Insert or Send/Return Use
Advanced Scene Memory Functions
PM1D Manager Software Reduces Setup Time and Facilitates Operation
REV-X and VCM Effects Built In(Version2)
Control the PM1D from a DM2000V2, 02R96V2, or DM1000V2(Version2)
New Features Deliver Optimum Performance for Live Sound, Theater, Broadcast, and Installations(Version2)

YAMAHA CL SERIES

yamaha CL Series
Features Sound Quality
Every engineer, artist, and audience agrees that sound quality is the bottom line. That’s a given. Through thorough analysis, review, and refinement of every detail of the circuitry and technology used, Yamaha CL series consoles deliver naturally superior sound plus a comprehensive range of “coloring” options that give the sonic craftsmen who will use them extraordinary creative freedom. The signal processors provided are plentiful and of the highest quality, including extraordinary Portico 5033/5043 EQ and compressor devices that bring Yamaha VCM technology together with the legendary talents of Rupert Neve. The platform is pure and natural, so the engineer can create and deliver the ideal sOUND

yamaha 01V96i

Features

96kHz Multi-Track Live Recording with a Single Connection

To meet the increasing demand for multi-track recording and playback in live sound applications, the 01V96i now features USB 2.0 connectivity—allowing you to effectively take your studio on the road with you. With 16 in/16 out live audio streaming at 96kHz and seamless DAW integration requiring just a single connection, it has never been easier to capture, edit and produce high quality, professional level recordings. USB connectivity also provides extensive two-way communication of MIDI data allowing you to seamlessly combine the precise physical control of your console with all the capability of the latest Cubase AI software that comes bundled with the 01V96i.

YAMAHA PM5D or PM5D-RH

A Choice of Head Amps: PM5D or PM5D-RH

The basic PM5D and PM5D-RH consoles differ only in input functionality. The PM5D features standard high-performance head amps, while the PM5D-RH adds head-amp recall capability that allows head amp gain settings to be recalled along with the other console scene data.

Versatile Configuration with Flexible I/O Patching Capability

In a surprisingly compact frame that weighs only around 100 kilograms, the PM5D offers 48 mono and 4 stereo inputs, 24 mix buses and 2 stereo outputs, and 8 matrix outputs (expandable). The mix buses can be switched to "variable" mode for use as auxiliary buses, or to "fix" mode for pre- or post-pan group bus operation. A full complement of physical I/O connectors provides further patching capability and broad system compatibility. While internal digital I/O patching offers extraordinary signal-routing control when needed, the PM5D has dedicated connectors for straightforward connection without the need for patching, in much the same way that you'd set up a conventional analog console. But you can bring the power of digital patching into play whenever you need to specify insert points, direct outs, metering points, dynamic processor key-in points.a vast range of patching capabilities that simply would not have been possible in the analog domain.

PM5D-EX Expanded Digital Mixing System for Double I/O Capacity and Processing Power

If the capacity provided by the PM5D console alone doesn't meet your requirements, the PM5D-EX system might be just what you need. This powerful live sound and recording package combines a Yamaha PM5D Digital Mixing Console with a DSP5D Digital Mixing System, giving you the I/O and processing capacity of two PM5D consoles controlled from a single control surface: that's a total of 96 mono and 8 stereo input channels in a very flexible, powerful configuration. After a few simple connections the DSP5D becomes an integral part of the PM5D console, and can be controlled from the PM5D control surface in the same way as the internal functions. So although you have 96 microphone inputs and 48 omni outputs (24 mix buses and 16 matrix buses) as well as doubled processing power, you can simply plug in your sources and output devices and mix right away without having to work through another learning curve. The PM5D-EX system is available with the either the PM5D or PM5D-RH console.

Open Architecture for Flexible Live Sound and Recording

Both the PM5D console and DSP5D digital mixing system feature expansion slots that accept a wide range of Yamaha MY cards as well as cards from other manufacturers. Four slots on the PM5D and two on the DSP5D allow not only I/O expansion in a variety of analog and digital audio formats, but also digital networking via CobraNet and EtherSound protocol. This type of expandability further enhances the system's utility for live recording applications because you have a choice of formats you can use to feed stereo or multi-channel audio to a DAW.

Virtual Soundcheck Capability

Here's a perfect example of a feature that has been implemented in response to feedback from the field. A live recording made during a rehearsal or performance can be temporarily patched into the currently recalled scene without permanently affecting the patch configuration stored with that scene. Pre-recorded material can thus be used for setup and detailed adjustment when musicians or performers aren't available. A simple click is all you need to switch from mic sources to playback tracks, or a combination of both. And because Virtual Soundcheck is isolated from scene control you can recall, edit, and resave scenes in Virtual Soundcheck mode without fear of actually storing patch changes. Unlike similar features found in other consoles, the PM5D lets you assign individual channels to the Virtual Soundcheck function as required, so you can keep sound effect or BGM channels alive while doing a sound check.

96-kHz Processing for Superior Sound and Response

The PM5D employs the custom "DSP7" LSI for ultra-high-speed 96-kHz/32-bit processing (24-bit AD/DA, 58-bit accumulator at the EQ stage). Double-rate processing halves the AD/DA latency, and allows reproduction above 20 kHz for maximum openness and "air", as well as outstanding transient response. Like the acclaimed DM2000 and 02R96 digital production consoles, none of the PM5D's functionality is compromised when running at the full 96-kHz rate. Even the high-capacity PM5D-EX system delivers the same top-quality 96 kHz processing throughout for outstanding sound and response, making it a perfect choice for critical live recording applications.

Advanced Analog Circuitry, Including Top-quality Head Amps

Analog audio circuits are never actually "finished". Each new design, or even a change in layout, means the circuit and components must be retuned for optimum reproduction accuracy, signal-to-noise ratio, and crosstalk. Although most of the signal processing in a digital mixer occurs in the digital domain where the sound itself is really the only concern, some analog circuitry must remain and paradoxically, as Yamaha designers have learned, takes on even greater importance. The head amps are particularly important. For this reason Yamaha head amps are created with the utmost care and attention, resulting in unmatched sonic performance. The renowned Yamaha PM sound lives on in digital consoles.

Extensive Channel and Output Functions

The input channels provide a range of features you'd expect on a top-class live sound console: 26-dB pad, continuous 44-dB gain trim on the PM5D or 72-dB gain trim on the PM5D-RH, phantom power, phase, HPF, and four-band parametric EQ. There are also many functions you wouldn't find on any analog console, such as a choice of two EQ types, independent gate and compression dynamics for each channel, digital attenuation/gain, delay, and MS decoding. The mix, stereo, and matrix buses also offer these features with the exception of gain trim, gate dynamics, and assignment capability that are not necessary on the output buses. The mix and stereo buses do include eight-band parametric EQ rather than the four-band parametric EQ on the input channels, for additional output EQ control. You can also pair channels both horizontally and vertically, and link EQ and compressor parameters between specified channels.

Eight Effect Processors and 12 Graphic EQs

In addition to the extensive processing capability provided by the channel functions, the PM5D features eight high-performance multi-effect processors and 12 graphic equalizers built in. The digital I/O patching system can be used to insert these at a variety of points in the signal path, or they can be used in a standard send/return type loop. But since not every application requires full use of eight powerful effect processors, some of that power may be diverted to provide additional insertable graphic and parametric EQ capability when needed. The PM5D also comes with Yamaha's incomparable VCM and REV-X built in! You have immediate access to acclaimed REV-X Reverb programs as well as the Compressor276, Compressor260 and EQ601 programs from the AE-011 Channel Strip package and the Open Deck programs from the AE-021 Master Strip package. Effects can be edited from the console display and controls, or from a computer running the supplied PM5D Editor software. The graphic equalizers can be assigned to the DCA faders for direct boost/cut control of individual frequency bands. Of course if you're using the expanded PM5D-EX system, your processing capacity is effectively doubled.

Optimized for Live Sound Applications

The PM5D offers a control format that will be familiar to anyone who has used any other Yamaha console - the Selected Channel section and Scene section are good examples. But in the PM5D these features have been refined and optimized for live sound, with emphasis on fast, easy access. Some features have evolved from features found on the flagship PM1D digital live console, such as 25 assignable User Defined keys in addition to eight Direct Recall keys for scene recall. A Fader Mode function lets you assign specified operations to the DCA faders for fast, centralized access and control, and direct-access Encoder Mode keys instantly assign a range of important functions to the channel encoders. There's a "scribble stri" space below the channel encoders and User Defined Keys if you prefer the traditional channel identification method. Full scene save and recall functionality is provided, with recall safe to prevent unwanted parameter changes.

Software Built on the PM1D Experience

Extensive feedback from the many discerning engineers who use the PM1D digital console in critical live applications worldwide has resulted in a number of refinements that have been implemented in the PM5D. The Scene function, for example, includes recall safe that allows detailed settings for each channel, selective recall, and an event list that specifies a sequence for cued scene recall. You can also save parameters in data libraries and specify the library that will be associated with a scene for maximum scene-recall safety. There's also a console lock function that can prevent "accidents" prior to an important show, and an operation lock function lets you lock specified functions while allowing access to others

Scene Memory Preset 1 + User 500 501
Input Patch Library Preset 1 + User 99 100
Output Patch Library Preset 1 + User 99 100
Input Channel Library Preset 1 + User 199 200
Output Channel Library Preset 1 + User 199 200
Input EQ Library Preset 40 + User 159 199
Output EQ Library Preset 3 + User 196 199
GATE Library Preset 4 + User 195 199
COMP Library Preset 36 + User 163 199
Effect Library Preset 55 + User 145 200
GEQ Library Preset 1 + User 199 200
HA Library Preset 1 + User 199 200

Crown XTi1002 Power Amplifier with DSP, 1400 Watts

Powerful yet light, this Crown 1400-watt amp offers increased control with a built-in subharmonic synth, defeat able limiter and 29 user-definable presets.

Crown XTi2002 Power Amplifier with DSP, 2000 Watts

The smallest of the XTi 2 series, this amplifier contains a universal tracking switch-mode power supply and 3 user-defined fan mode controls.

Input EQ: 6 parametric filters per channel with adjustable Q, +/-15 dB boost/cut. Also adjustable high and low shelving filters. This 8-filter EQ section can be bypassed.

Crossover Filters: Highpass and Lowpass per channel. Butterworth 6/12/18/24 dB per octave. Linkwitz-Riley 24/48 dB per Octave. Also includes +/- 15 dB bandpass gain and polarity control.

Output EQ: 8 parametric filters per channel with adjustable Q, +/-15 dB boost/cut. This 8-filter EQ section can be bypassed.

Delay: For signal alignment of driver; 50 mS of total delay.

SubHarmonic Synth: Takes the low-frequency content of the input signal and "synthesizes" a new signal that is the same as the input signal but one octave lower. The new synthesized signal is then mixed with the original signal to create the effect. New: Users now have control over frequency, gain, and filter type.

Peakx(TM) Plus Limiter: User defeatable limiter that allows users to control Threshold, Attack, and Release times.

Presets: 30 total presets, 29 of which are user-definable.

Sensitivity (for full rated power at 4 ohms): 1.4 Vrms

Frequency Response (at 1 watt, 20 Hz - 20 kHz): +0 dB, -1 dB

Signal-to-Noise Ratio (below rated 1kHz power at 8 ohms):
- XTi1002/2002/4002: 100 dB (A weighted)
- XTi6002: 103 dB (A weighted)

Total Harmonic Distortion (THD): < 0.5%

Damping Factor 20 Hz to 1 kHz: > 500

Crosstalk (below rated power): 20 kHz - 1 kHz: > 70 db

Input Impedance (nominal): 20k ohms balanced, 10k ohms unbalanced

Maximum Input Signal: +22 dBu typical

AC Line Voltage and Frequency Configurations: 100 VAC, 120 VAC, 220-240 VAC 50/60 Hz

AC Line Current: (120 VAC amplifier playing 1/8 power pink noise into 4 ohms per ch)
- XTi1002: 6.8A; no more than 38W at idle
- XTi2002: 8.3A; no more than 38W at idle
- XTi4002: 10.5A; no more than 38W at idle
- XTi6002: 15.3A; no more than 180W at idle

Crown XLS 2000 Power Amplifier (2000 Watts)

Don't be deceived by it's low weight. The Crown XLS 2000 power amplifier puts out 2000 watts of power - almost 200 watts per pound.

Specifications
- Total Harmonic Distortion (THD): < 0.5%
- Intermodulation Distortion (IMD): (60Hz and 7kHz at 4:1), From full rated output to -30dB: <0.3%
- Damping Factor (8 ohm): 10 Hz to 400 Hz: > 200
- Crosstalk (below rated 8 Ohm power): At 1kHz: > 85dB, At 20kHz: >55dB
- Input Impedance (nominal): 20 kOhm balanced, 10 kOhm unbalanced
- Load Impedance: 2 to 8 Ohm per channel in Stereo, 4 to 8 Ohm in Bridge Mono
- AC Line Voltage and Frequency Configurations Available (+/- 10%): 120 VAC 60 Hz, 100 VAC 50/60 Hz, 220 and 240 VAC 50 Hz
- Ventilation: Flow-through ventilation from front to back
- Cooling: Internal heat sinks with forced-air cooling for rapid, uniform heat dissipation
- Air Volume Requirements (per minute per unit): 80.15 ft

Minimum Guaranteed Power (per channel, both channels driven)
- Stereo, 2 ohms: 1050W
- Stereo, 4 ohms: 650W
- Stereo, 8 ohms: 375W
- Bridged mono, 4 ohms: 2100W
- Bridged mono, 8 ohms: 1300W

Crown XTi6002 Power Amplifier with DSP, 6000 Watts

The largest and more powerful amp in the XTi series, the 6002 features enhanced subharmonic synth selection that provides more control to the user

Crown XLS 2500 Power Amplifier (2400 Watts)

Weighing only 11 lbs, the 2400 watt XLS amplifier from Crown packs a big punch. Includes Peakx Limiters for maximum output while protecting your speakers

Specifications
Total Harmonic Distortion (THD): < 0.5%

Intermodulation Distortion (IMD): (60Hz and 7kHz at 4:1), From full rated output to -30dB: <0.3%

Damping Factor (8 ohm): 10 Hz to 400 Hz: > 200

Crosstalk (below rated 8Ohm power): At 1kHz: > 85dB, At 20kHz: >55dB

Input Impedance (nominal): 20 kOhm balanced, 10 kOhm unbalanced

Load Impedance: 2 to 8 Ohm per channel in Stereo, 4 to 8 Ohm in Bridge Mono
AC Line Voltage and Frequency Configurations Available (+/- 10%): 120 VAC 60 Hz, 100 VAC 50/60 Hz, 220 and 240 VAC 50 Hz

Ventilation: Flow-through ventilation from front to back

Cooling: Internal heat sinks with forced-air cooling for rapid, uniform heat dissipation

Air Volume Requirements (per minute per unit): 80.15 ft (2.27 m)

Minimum Guaranteed Power (per channel, both channels driven)

Stereo, 2 ohms: 1200W
Stereo, 4 ohms: 775W
Stereo, 8 ohms: 440W
Bridged mono, 4 ohms: 2400W
Bridged mono, 8 ohms: 1550W

Crown XTi4002 Power Amplifier with DSP, 3200 Watts

With 1200 more wattage than the smaller XTi model, this amp has an increased number of presets and system architect control software

Crown XLS 1500 Power Amplifier, 1500 Watts

Weighing only 11 lbs, the 1500 watt XLS amplifier from Crown packs a big punch. Includes Peakx limiters for maximum output while protecting your speakers

Specifications
- Power Rating: 300W/channel at 8 ohms, 525W/channel at 4 ohms, 1050W at 8 ohms bridged
- Total Harmonic Distortion (THD): < 0.5%
- Intermodulation Distortion (IMD): (60Hz and 7kHz at 4:1), From full rated output to -30dB: <0.3%
- Damping Factor (8 ohm): 10 Hz to 400 Hz: > 200
- Crosstalk (below rated 8Ohm power): At 1kHz: > 85dB, At 20kHz: >55dB
- Input Impedance (nominal): 20 kOhm balanced, 10 kOhm unbalanced
- Load Impedance: 2 to 8 Ohm per channel in Stereo, 4 to 8 Ohm in Bridge Mono
- AC Line Voltage and Frequency Configurations Available (+/- 10%): 120 VAC 60 Hz, 100 VAC 50/60 Hz, 220 and 240 VAC 50 Hz
- Ventilation: Flow-through ventilation from front to back
- Cooling: Internal heat sinks with forced-air cooling for rapid, uniform heat dissipation
- Air Volume Requirements (per minute per unit): 80.15 ft (2.27 m)

Minimum Guaranteed Power (per channel, both channels driven)
- Stereo, 2 ohms: 775W
- Stereo, 4 ohms: 525W
- Stereo, 8 ohms: 300W
- Bridged mono, 4 ohms: 1550W
- Bridged mono, 8 ohms: 1050W

Crown XLS 1000 Power Amplifier, 1000 Watts

Weighing only 11 lbs, the 1000 watt XLS amplifier from Crown packs a big punch. Includes Peakx limiters for maximum output while protecting your speakers.

Specifications
- Total Harmonic Distortion (THD): < 0.5%
- Intermodulation Distortion (IMD): (60Hz and 7kHz at 4:1), From full rated output to -30dB: <0.3%
- Damping Factor (8 ohm): 10 Hz to 400 Hz: > 200
- Crosstalk (below rated 8Ohm power): At 1kHz: > 85dB, At 20kHz: >55dB
- Input Impedance (nominal): 20 kOhm balanced, 10 kOhm unbalanced
- Load Impedance: 2 to 8 Ohm per channel in Stereo, 4 to 8 Ohm in Bridge Mono
- AC Line Voltage and Frequency Configurations Available (+/- 10%): 120 VAC 60 Hz
- Ventilation: Flow-through ventilation from front to back
- Cooling: Internal heat sinks with forced-air cooling for rapid, uniform heat dissipation
- Air Volume Requirements (per minute per unit): 80.15 ft

Minimum Guaranteed Power (per channel, both channels driven)
- Stereo, 2 ohms: 550W
- Stereo, 4 ohms: 350W
- Stereo, 8 ohms: 215W
- Bridged mono, 4 ohms: 1100W
- Bridged mono, 8 ohms: 700W

IMX644 Digital Installation Rack Mixer

The IMX644 digital mixer is ideally suited for permanent installations. In a compact 2U rack mount unit it offers multiple mono and stereo analog inputs and outputs as well as digital inputs that allow flexible integration in a wide range of audio systems. In addition to detailed setup and control from a computer running the dedicated IMX644 Manager application, easy front-panel control of basic functions and memory recall capability allow effective, error-free operation by users who have no specialized knowledge or experience.

01V96VCM Digital Mixing Console

The 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.

02R96VCM Digital Mixing Console

The 02R96VCM is a new revolution in a line of production consoles that has evolved over the years in response to user needs become the de facto standard for production consoles: the 02R, debuting in 1995 and a fundamental reason for Yamaha's 2007 Technical Grammy Award, 2002's 02R96, and the 02R96 Version 2 released in 2004. Featuring 56 input channels and 18 mixing busses, the 02R96VCM is backed by the impressive processing power of a custom Yamaha DSP7 LSI and offers the same array of robust channel functions as the DM2000 on its inputs and outputs. Its "selected channel" system fuses the controllability of a digital mixer with the feel of an analog desk for fast, intuitive operation when you need it. The analog input stages on the 02R96VCM feature head amps descended from those of the DM2000, developed with the input of engineers from around the world to provide transparent sound that's perfect for the professional domain.

Want more? Take a look at the 5 new plug-in packages that give you both space and creativity in the production workplace. Or consider the digital domain where EQ, compressor, tape saturation and guitar effector VCM plug-ins offer the warmth and depth of analog circuitry. The 02R96VCM also boasts the outstanding REV-X reverb algorithm introduced in the SPX2000. What's more, it comes equipped with iSSP technology that makes creating realistic sound fields easy, giving you functionality within the console that would otherwise require outboard effects.

The 02R96VCM also offers a high degree of integration with Digital Audio Workstations, and is compatible with both Windows and Macintosh versions of Studio Manager Version 2, allowing your PC and console to work together seamlessly. Certified to the global THX pm3 standard for surround equipment, it features four MY card slots, whose open architecture design provides compatibility with a slew of I/O formats.

The 02R96VCM:a new revolution in a line of trusted digital consoles created to support you in the production

DM1000VCM Digital Production Console

The original compact DM1000 digital console continued the tradition of flawless quality found in its sister models, the DM2000 and 02R96. Now we've gone even further, adding five impressive plug-in packages to create the DM1000VCM. Packed into a slim rack-mountable body are 48 inputs, and a total of 18 mixing buses. What's more, you can use all available functions at 96 kHz such as EQ and delay included on all inputs and outputs. Equipped with the head amps descended from those of the DM2000 and 02R96 on its analog inputs, the DM1000VCM offers an incredible sound and an overwhelming 110 dB dynamic range, thanks to its 24-bit AD/DA converter. In the digital domain, the DM1000VCM ships with the outstanding REV-X reverb algorithm introduced with the SPX2000, while VCM plug-ins like EQ, compressor, tape saturation and guitar effectors offer the warm sound of analog circuitry. This console offers outstanding performance in the production and live / sound reinforcement areas, letting you be as musical as you want without having to rely on vintage effects and outboard equipment. If surround functions that support post-production and multi-channel broadcasting are what you need, the DM1000VCM, like the DM2000 and 02R96, boasts compliance with the global THX pm3 standard for surround sound equipment, and like them it makes absolutely no compromises. In fact, as well as offering you the ability to mix and monitor in 6.1 channel surround sound, this console boasts a Bass Management processor and a wealth of dedicated surround effects. The DM1000VCM also comes equipped with iSSP technology, making the creation of realistic sound fields a snap, providing exceptional performance for its range. Featuring control functions for Digital Audio Workstations like NUENDO and CUBASE, and compatibility with Studio Manager Version 2 for both the Windows and Macintosh for seamless control of your audio systems, the DM1000VCM is a compact, powerful console that gives you all the superior usability, expandability and flexibility you need in a digital mixer.

DM2000VCM Digital Production Console

Combining a leading-edge design philosophy with the latest in digital technology, the DM2000VCM is the world's first sound/music production digital console to receive approval under the globally-recognized THX pm3 surround standard. Multi-channel digital broadcast, Internet delivery of television and music, the integration of next-generation "Blu-Ray Disc" media — with each passing year the market demand for surround-sound media reaches new heights, requiring ever more quality and speed from broadcast and production facilities.

Everything we know about digital audio has been put into developing the DM2000VCM. It combines a myriad of surround mixing and monitoring functions together with a maximum of 96 inputs and 22 mixing buses, transparent sound quality thanks to a superb head amp, 24-bit AD/DA, and 96 kHz sampling, as well as superior integration with DAW (Digital Audio Workstation) packages such as NUENDO. This result is a console that is able to handle the demands of today's production and broadcast environments with ease.

The DM2000VCM also brings to the table VCM plug-ins like EQ, compressors, tape saturation, and guitar effectors now standard on Yamaha's digital consoles, along with the outstanding REV-X reverb algorithm newly introduced in the SPX2000. Add to this the smooth, realistic sound of iSSP surround field technology, and you have a console that provides simply breathtaking performance.

Put simply, our flagship DM2000VCM production console takes sound production to new heights.

Experience another step into the future with the DM2000VCM.

LS9 Digital Mixing Console

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles

M7CL V3 Digital Mixing Console

The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.

DSP5D DSP Mixing Unit

The DSP5D provides essentially all the functionality of a PM5D-RH minus the control surface in a rack-mountable unit that can be seamlessly controlled from a PM5D (RH) console. In terms of I/O capacity and processing capability the DSP5D offers:

48 mono and 4 stereo inputs

24 Mix buses, 8 Matrix buses

24 Omni Outputs

Full channel functionality: gain, EQ and filters, dynamics, sends

8 effect processors and 12 graphic equalizers

2 Mini-YGDAI expansion card slots

Full compatibility with DSP5D Editor computer software

The ability to function as a remote stage box via the DCU5D Digital Cabling Unit

PM5D V2 Digital Mixing Console

Since its release in 2004 the PM5D has become a standard for digital live mixing, and the first choice of legions of discerning engineers and sound companies throughout the world. Why? Simply because it offers extraordinary sound and versatility in a relatively small, lightweight system that is intuitive to use and delivers unmatched sound, control, and reliably without the need for additional outboard processing gear. Of course programmability and recall capability are of monumental importance in today's live sound scene as well.

It's no exaggeration to state that the PM5D Digital Mixing Console took the digital revolution to a new level. What's more, it offers a system solution that can enhance the entire sound production process from input to output through seamless integration with digital systems including Yamaha's DME series digital mixing engines and AD8HR 8-channel A/D converters with remote controllable preamps. But for applications that require serious I/O capacity there's the PM5D-EX: a PM5D console plus a DSP5D Digital Mixing System that gives you the I/O and processing capacity of two PM5D consoles controlled from a single control surface, plus the added advantages of digital cabling over long distances when necessary. There's virtually no limit to the possible configurations and applications, thanks to open architecture with the flexibility and expandability you need to handle just about any live sound and recording application.

PM5D-EX Digital Audio Mixing System

QSC RMX 2450 Power Amplifier (1200 Watts)

Power up like the pros with the RMX2450 amplifier from QSC, which features independent clip limiters to reduce distortion without sacrificing performance

Continuous Power Rating
- 8 Ohms: 500 W
- 4 Ohms: 750 W
- 2 Ohms: 1200 W
- 8 Ohms Bridged Mono: 1500 W
- 4 Ohms Bridged Mono: 2400 W
- Current Consumption: 10 Amps

Distortion (Typical):
- 20 Hz-20 kHz: 10 dB below rated power Less than 0.03% THD 4 and 8 ohms
- 1.0 kHz and below: full rated power Less than 0.03% THD 4 and 8 ohms

- Frequency Response: 20 Hz-20 kHz, +/- 1 dB, -3 dB points: 5 Hz-50 kHz
- Damping Factor, 1 kHz and below: Greater than 300 at 8 ohms
- Input Impedance: 10 k ohms unbalanced, 20 k ohms balanced
- Input Clipping: 10 Vrms (+22 dB)
- Cooling: Continuously variable-speed fan, rear-to-front air flow

QSC GX5 Power Amplifier (500 Watts)

From one of the most renowned names in amplifiers, here is the QSC GX5 amplifier. It was designed by Pat Quilter

- Signal to Noise (20 Hz - 20 kHz): 100 dB
- Input Sensitivity: 1.2 Vrms
- Voltage Gain (8 Ohms): 34.4 dB
- Output Circuitry: 2-tier Class H
- Power Requirements: 6A
- Frequency Response: 20 Hz - 20 kHz, +0, 1 dB
- Dynamic Headroom (4 Ohms): 2 dB
- Damping Factor: 100
- Input Impedance: Greater than 20k (balanced)
- Maximum Input Level: +24 dB (16 Vrms)
- Input Connectors (each channel): 3-pin XLR and 1/4-inch TRS, balanced, parallel Phono, unbalanced
- Output Connectors (each channel): Speakon, 1/4-inch, Binding Posts
- Amplifier and Load Protection: Short circuit, open circuit, thermal, RF protection Load protected against DC faults
- Rear Panel Controls: Full Range / Crossover switch
- Dimensions (H x W x D): 3.5 x 19 x 10.1 inches (89 mm x 483 mm x 257 mm)
- Weight: 26 lbs (12 kg)

QSC RMX 5050 Power Amplifier

Able to output as much as 5000 watts at 4 ohms, the RMX 5050 is QSC's most powerful RMX amplifier.

- Distortion (SMPTE-IM) Less than 0.02%
- Distortion (Typical): 20 Hz-20 kHz: 10 dB below rated power: Less than 0.02%, 1 kHz and below: full rated power: Less than 0.02%
- Frequency Response: 20 Hz to 20 kHz, 8 ohms, LF filter bypassed, +0/-1 dB, 5 Hz to 50 kHz, 8 ohms, LF filter bypassed, +0/-3 dB
- Damping Factor: Greater than 250 @ 8 ohm
- Noise (unweighted): 100 dB below rated output (20 Hz to 20 kHz, 8 ohm load)
- Input Sensitivity: 1.42 Vrms for 1050 watts into 8 ohms
- Controls Front: AC power switch, Ch. 1 and Ch. 2 gain control
- Controls Rear: 10-pole DIP switch featuring LF filter on/off, LF filter 30/50 Hz, Clip Limiter on/off controls for each channel and switches for selecting Stereo, Parallel, or Bridge mode. Push-button circuit breaker for each channel.
- Voltage Gain: 64x (36 dB) for 8 ohm load
- Input Impedance: 20 k ohm balanced, 10 k ohm unbalanced
- Indicators: Power-On: Green LED, Protect: Red LED, Signal -30dB: Yellow LED, Clip: Red LED
- Connectors Input: XLR female, TRS (1/4-inch), and barrier-strip screw terminals, each channel
- Connectors Output: Binding posts and Speakon outputs (Ch. 1 Speakon wired for biamp)
- Cooling: Continuously variable-speed fan, rear-to-front air flow
- Amplifier Protection: Short circuit, open circuit, thermal, ultrasonic, and RF protection. Stable into reactive or mismatched loads
- Load Protection: On/off muting, DC fault output crowbar
- Power Requirements: 100, 120 or 240 Volts AC (+/-10%) 50-60 Hz (factory configured)120V models require 20 Amp, 120V service and are supplied with a NEMA 5-20 plug on the cordset.
- Dimensions (W x H x D): 19.0 x 5.25 x 15.9 in. (48.3 x 13.3 x 40.39 cm)
- Weight: 75 lb (34.02 kg) net, 87 lb (39.46 kg) shipping

QSC KW153 PA Speaker

QSC KW153 3-Way Powered Loudspeaker (1000 Watts, 1x15 in.)

Get powerful sound in a compact enclosure with this professional-quality 3-way QSC speaker. It features a 1000-watt Class D power module and extensive DSP

Configuration: 15 inch, 3 way trapezoidal

Transducers:
- Low Frequency: 15 inch cone transducer

Mid-Frequency: 6.5 inch mid range cone transducer

High Frequency: 1.75 inch diaphragm compression driver

Frequency Response (-6 dB): 35 Hz - 18 kHz

Frequency Range (-10 dB): 33 Hz - 20 kHz

Nominal Coverage (-6 dB): 75 degrees axisymmetric

Maximum SPL (1 meter): 134 dB peak

Power Output: 1000 watts Class D

QSC KW181 Subwoofer

QSC KW181 Powered Subwoofer (1000 Watts, 1x18 in.)

Manage your output with this QSC subwoofer. It boasts a 1000-watt class-D amplifier and extensive DSP in a small, lightweight package

Specifications- Configuration: 18 inches subwoofer
- Transducer:18 inches cone transducer
- Frequency Response (-6 dB): 43 Hz - 97 kHz
- Frequency Range (-10 dB): 39 Hz - 145 Hz
- Maximum SPL (1 meter): 132 dB peak
- Power Output: 1000 W Class D continuous
- Input Impedance (ohms): XLR / 1/4-inch : 38k balanced / 19k unbalanced
- Indicators: Power, Signal, Standby, Limit
- Connectors: Dual balanced female XLR/ 1/4-inch line level input, Dual Balanced male XLR full range line level out, Remote gain control, Locking IEC power connector
- Cooling: On demand, 50 mm variable speed fan
- Amplifier Protection: Thermal limiting, output overcurrent, overtemperature muting, GuardRail
- Transducer Protection: Thermal limiting, excursion limiting
- AC Power Input: Universal power supply 100 - 240 VAC, 50 - 60 Hz
- Material: 15 mm painted birch plywood
- Finish: Black textured paint
- Grille: Black powder coated 16 gauge steel
- Dimensions (HxWxD): 20.1 x 23.4 x 29.9 inches with casters (510 mm x 595 mm x 761 mm with casters)
- Weight (Net): 83 pounds (37.6 kg)

QSC KSUB Active Subwoofer

QSC KSUB Powered Subwoofer (1000 Watts, 2x12 in.)

Crafted from quality components, the QSC KSUB is a lightweight, ultra-low-frequency subwoofer that accepts full-range input and produces 1000 watts of power

Specifications
- Configuration: 4th Order Bandpass
- Transducers: 2 x 12 in. cone transducers
- Frequency Response (-6 dB): 48 Hz - 134 Hz
- Frequency Range (-10 dB): 44 Hz - 148 Hz
- Maximum SPL (1 meter): 130 dB peak

QSC K10 2-Way Powered Speaker (1000 Watts, 1x10 in.)

With its rugged enclosure and extensive DSP, the QSC K10 powered speaker delivers high power in a small frame

- Configuration: Multipurpose 2-way
- Transducers: 10 in. cone transducer, 1.75 in. HF driver
- Frequency Response (-6 dB): 60 Hz - 18 kHz
- Frequency Range (-10 dB): 56 Hz - 20 kHz
- Nominal Coverage (-6 dB): 90 degree conical
- Maximum SPL (1 meter): 129 dB peak

Amplifier
- Power Output: 1000 W Class D
- Input Impedance (ohms): XLR / 1/4": 40k balanced / 20k unbalanced
- XLR / 1/4" MIC mode: 2260 balanced
- RCA: 10k

QSC K12 Powered Speaker

QSC K12 2-Way Powered Speaker (1000 Watts, 1x12 in.)

With 1000 watts of power and a 12 inch woofer, the K12 from QSC is still light enough to carry with one hand

Specifications
- Configuration: Multipurpose 2-way
- Transducers: 12 in. cone transducer, 1.75 in. HF driver
- Frequency Response (-6 dB): 52 Hz - 18 kHz
- Frequency Range (-10 dB): 48 Hz - 20 kHz
- Nominal Coverage (-6 dB): 75 degree conical
- Maximum SPL (1 meter): 131 dB peak

Numark M1USB 2-Channel DJ Mixer with USB

Plug in turntables, mics, CD players, USB flash drives and much more. Can send audio to/from a CPU

Galaxy Audio PSER52LVL UHF Wireless Lavalier System

Provide a hands-free professional experience great for speaking and help clear the stage of unwanted clutter with the Galaxy PSER52LVL UHF Wireless Lapel System. Includes a single rack mount kit

Numark MixDeck DJ CD USB MP3 Player
from $699

Feature: Great features! Allows quick change from one media to another. Larger jump drives in the top USB ports take a few minutes to read, but if you plan accordingly, there shouldn't be any issues. I am using this with Numark "Cue" and the integration only took a few minutes. The flexibility of the MixDeck is the main reason I bought it and so far, I am pleased with the performance.

Value: Great value. Excellent for beginners and intermediate DJ's. I have 25 years experience and am using it for wedding gigs because of the flexibility. As a professional, I would use this product for anything except the very big events where more scratching and mixing are needed.

Desirability: Great visual appeal. Professional appearance with easy to see LCD screen. Back-lit display and platters add a nice visual clue as to what is going on and is a nice display to anyone looking over your shoulder.

Support: The Numark website is kept up to date pretty well. I have never had to call in for support because my answers have always been addressed on the website.

Review by a zZounds customer

Gemini CDMP6000 Dual CD/MP3/USB Mixing Console

Gemini's CDMP6000 is the ultimate in affordable and reliable Professional Dual CD/MP3/USB mixing consoles, providing digital connection via built-in USB inputs for the ability to play and manipulate songs directly from a USB stick. It's also an MP3 player giving DJ's the flexibility and convenience of both CDs and MP3s.

from $449.95 | Free Shipping

Numark iCDMIX2 Dual CD Performance System with Universal Dock

Considered an industry standard for more than 10 years, Numark CDMIX systems consist of a dual CD player and mixer together in one easy-to-carry unit. The iCDMIX2's portability is a necessity for mobile DJs who need to be able to pack away their system quickly. Setup and teardown is fast and easy because you don't spend as much time running cables and testing levels as with traditional component setups.

from $249.95 | Free Shipping

American Audio Flex 100 MP3 DJ System

The American Audio Flex 100 MP3 System is a complete DJ system for gigging DJs. Players can look forward to having one of the best tabletop MP3/CD players available matched perfectly with the American Audio Q-D6 DJ mixer.

from $699.99 | Free Shipping

Numark CD DJ in a Box Package

Numark's CD DJ in a Box Package is a complete DJ setup with two NDX200 CD players, headphones, and a two-channel DJ mixer. You get a mixer and two rugged, heavy CD decks, each with a large jog wheel for comfortable performance. Numark's Anti-Shock buffered skip-protection technology keeps your music playing even when vibrations might cause other players to skip. The CD DJ in a Box Package features seamless looping for creating and integrating loops in instant remixes.

from $242.95 | Free Shipping

Hercules DJ Console Rmx Pro DJ Controller/Audio Interface

Hercules DJ Console Rmx Pro DJ Controller/Interface

Crown XTi 2002

Item ID: XTi2002

Power Amplifier - 2 x 800W at 4 Ohms, 2 x 1,000W at 2 Ohms

Digidesign Digi 003 Factory FireWire Music Production System

Go big with the Digidesign Digi003 production system, which includes over plug-i$3,000 worth of professional quality n

Gear In Focus

PreSonus FireStudio Project FireWire Interface


PreSonus FireStudio Project FireWire Interface from $499.95Feature: Love the meters. They really help you to see what's happening. The built-in software mixer is also a huge help. I did a session with a four-piece band and was able to send every musician a separate headphone mix. Kind of wish it had ADAT inputs but then again that's what the other FireStudio is for. Quality: The knobs feel sturdy and I love how they are detented as well. The other nice touch is no wall wart. This unit looks amazing in my rack. Ease of Use:: Installation took about 15 minutes. I have a PC (Pentium 4/3gHz) and it sync'd up in a few seconds and I was recording within 20 minutes. Overall: I think my search for interfaces is done. This one is great. Review by a zZounds customer

Tascam 2488neo 24-Track Recording Workstation

With 24 tracks (256 virtual tracks for multiple takes on each track), high-resolution effects and on-board editing, mastering and burning, the Tascam 2488neo is a powerful and efficient recording/mixing/mastering solution

- Eight inputs: 4 XLR with phantom power double as 1/4 in. mic/line inputs, plus four more 1/4 in. mic/line inputs
- Nineteen 45mm faders including master fader
- LCD display for viewing meters and edit parameters
- 250 Virtual tracks
- CD-RW drive to record Audio CDs, import/export WAV files and backup hard drive
- High-speed USB 2.0 jack connects to PC or Mac(R) for data backup and SMF/WAV file- Recording resolution: 44.1kHz, 16-bit or 24-bit

AUDIO
HOUSE SPEAKER SYSTEMS:

• Martin Audio W8LC, W8LM Line Arrays

• Martin Audio W8VDQ, W8C, WT3 Mains

• Martin Audio WSX, W8CS Subwoofers

• EAW SB528, SB180 Subwoofers

• JBL Eon, QSC K Series Powered Speakers

MONITOR SYSTEMS:

• Martin Audio LE400 Wedge Monitors

• TCS TM115, TM10X Wedge Monitors

• Martin Audio Drum Fills & Side Fills

• Sennheiser EW300-G2 Wireless In-Ears

• Shure PSM400 Wired In-Ear Systems

CONSOLES:

• Digidesign SC48

• Yamaha M7CL-48

• Yamaha LS9-32

• Yamaha PM3500-48+4

• Soundcraft MH3-40+4

• Crest X Monitor 32x12

• Small Format Crest, Mackie

AMPLIFIERS:

• Lab Gruppen PLM w/ Lake processing

• QSC Powerlight, Crown

DRIVE EQUIPMENT:

• Lake, Ashly, Aphex

SNAKES:

• Ramtech 250' 46 Ch. 3-Way Splitter System

• Whirlwind & CBI Splitters & Subsnakes

• AES/EBU+Dante digital drive snakes

OUTBOARD:

• Avalon, Summit Tube Compression

• Lexicon, Yamaha, TC Electronic Effects

• BSS, Drawmer, dbx Dynamics

MICROPHONES:

• Shure, Sennheiser, AKG, Beyer

• Shure ULX P4 Wireless Systems

(handheld, lavaliere or earset)

• Shure MX418/C Podium Mics

• Audio Technica Hanging Mics

• Countryman & Radial Active DI'

PA Speakers
Electro Voice Speakers
JBL Speakers
Mackie Speakers
Peavey Speakers
Yamaha Speakers
See More PA Speakers
Active/Powered Main PA Speakers
Active speakers contain built-in amplifiers and crossovers, making them easy to transport and easy to use.
Behringer B208D
Behringer B210D
Behringer B212D
Behringer B215D
Electro-Voice ZXA1-90B
JBL EON515
JBL PRX625
JBL PRX635
Mackie HD1531
Mackie SRM450 v2
Mackie Thump
QSC K10
QSC K 12
See More Active/Powered Main PA Speakers
15-Inch Main PA Speakers
Behringer B215XL
JBL JRX115
JBL JRX125
JBL MRX525
Peavey PV115
Peavey PV215
Yamaha S115V
See More 15-Inch Main PA Speakers
12-Inch Main PA Speakers
Behringer B212XL
Peavey PR 12N
See More 12-Inch Main PA Speakers
10-Inch Main PA Speakers
Mackie C200
See More 10-Inch Main PA Speakers
PA Subwoofers
Behringer B1800X PRO
JBL EON518S
JBL JRX118SP
Mackie HD1801
Mackie SRM1801
Peavey PV118
QSC KSUB
See More PA Subwoofers
Stage PA Monitors
JBL JRX112M
JBL PRX612M
Peavey PV12M
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Personal Stage Monitors
Galaxy Audio Micro Spot
TC Helicon VSM300 XT
See More Personal Stage Monitors
PA Speaker Stands
Musika Speaker Stands
On-Stage SS7730 Tripod Speaker Stand
On-Stage Speaker Stands
On-Stage SS8800B+ Crank Up
See More PA Speaker Stands
PA Speaker Accessories
Gator Rolling Speaker Bag
See More PA Speaker Accessories
Raw PA Speakers
Peavey Low Rider Subwoofer
See More Raw PA Speakers

See All PA Speakers

Power Amps

Power Amps
Crown Power Amps
Peavey Power Amps
QSC Power Amps
Samson Power Amps
Behringer EP2000
Behringer EP4000
QSC GX5
QSC RMX-2450
Crown XTi1002
Crown XTi2002
Crown XTi4002
Crown XTi6002
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Mixers

Behringer Mixers
Mackie Mixers
Yamaha Mixers
Mixers
Behringer SX3242FX Eurodesk
Mackie Onyx 32
Yamaha MG2414FX
Yamaha MG32
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Powered Mixers
Behringer PMP1680S
Behringer PMP2000
Behringer PMP6000
Mackie PPM1008
Mackie PPM1012
Yamaha EMX312SC
Yamaha EMX512SC
See More Powered Mixers
DJ Mixers
Behringer DDM4000
DJM-800
Rane TTM57SL
See More DJ Mixers

See All Mixers

Mobile Equipment Racks

Mobile Equipment Racks
SKB Rack Cases
Gator Rack Cases
See More Mobile Equipment Racks
Portable Rack Cases
Gator Deluxe 19 Inch Case
Odyssey Flight Zone Combo Rack
SKB R6 US Series 6-Space Roto Rack
See More Portable Rack Cases
Rack Hardware
RaXXess Economy Sliding Drawer
See More Rack Hardware

See All Mobile Equipment Racks

Stage Lights

Lights
American DJ DPDMX20L Dimmer Pack
Backline LS7730 Light Stand with Truss
Chauvet Colorsplash 200B
Chauvet MiNSpot
See More Lights

Wireless Microphone Systems
AKG Wireless
Audio Technica Wireless
Samson Wireless
Sennheiser Wireless
Shure Wireless
See More Wireless Microphone Systems
Handheld Wireless Systems
Audio Technica ATW3141B
AKG WMS 45
Line 6 XDV70 Digital
Samson Concert 277 Dual Vocal
Sennheiser ew135G3
Shure PG24 with PG58
Shure PGX24 SM58
Shure PG288 PG58
VocoPro UHF 5805
VocoPro UHF5800 4-Channel
VocoPro UHF 8800
See More Handheld Wireless Systems
Lapel Wireless Microphones
Shure PG14 PG185
Shure PG188 PG185 Dual Lavalier Wireless System
Shure PGX14 93 Lavalier
See More Lapel Wireless Microphones
Guitar Wireless Systems
AKG WMS450 Guitar
Line 6 Relay G30
Line 6 Relay G50
Line 6 Relay G90
See More Guitar Wireless Systems
Headset Wireless Microphones
Samson Airline 77 with SE 10 Wireless Headset
Samson Airline 77, with Wireless QE Headset
Samson Airline 77-QV10E Wireless Headset
Sennheiser ew152G3
Shure PG14 UHF with PG30 Headset
See More Headset Wireless Microphones
Combination Wireless Systems
These systems include multiple types of microphone for added versatility.
Shure P1288 PG185
See More Combination Wireless Systems
Body Pack Wireless Systems
These systems include the transmitter and receiver only, allowing easy connection of a guitar or microphone.
Shure PGX14
See More Body Pack Wireless Systems
Wireless Personal Monitors
Audio-Technica M2
Shure PSM900
See More Wireless Personal Monitors

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PA Systems

PA Systems
These portable PA systems include speakers, a powered mixer, and various accessories.
Fender PA Systems
Bose PA Systems
Alesis TransActive Mobile PA
Behringer B205D
Bose L1 Compact
Fender Passport 150 PRO
Fender Passport 300 PRO
Fender Passport 500 PRO
Peavey Escort 3000
Samson XP308i
Samson XP510i
zZounds PA Packages
See More PA Systems

See All PA Systems

Microphones

Handheld Dynamic Mics
Shure SM58 Microphone
Shure SM57 Microphone
Shure PG58
Shure Beta 58A Microphone
ElectroVoice ND767A
See More Handheld Dynamic Mics
Microphone Accessories
Raxxess Stoppit Pop Filter
See More Microphone Accessories
Microphone Stands
Boom Mic Stand
See More Microphone Stands
Microphone Mounts
On-Stage Shure-Style Mic Clip
See More Microphone Mounts
Dynamic Instrument Mics
Sennheiser e604 Evolution
Shure Drum Mic Package
See More Dynamic Instrument Mics
Small Condenser Mics
Samson C02
See More Small Condenser Mics
Headset Mics
Samson SE50
See More Headset Mics
Handheld Condenser Mics
Samson Beta 87A
See More Handheld Condenser Mics

See All Microphones

Live Sound Signal Processors

Behringer Processors
dbx Processors
Live Sound Equalizers
dbx DriveRack PA Plus
See More Live Sound Equalizers
Direct Boxes
Radial Pro DI
See More Direct Boxes
Feedback Eliminators
Behringer FBQ2496 Feedback Destroyer Pro
See More Feedback Eliminators
Mic Splitters
ART S83WAY 8-Channel 3-Way
See More Mic Splitters
Hum Eliminators
Ebtech HUMX
See More Hum Eliminators
Enhancers
BBE 882i Sonic Maximizer
See More Enhancers

See All Live Sound Signal Processors

Live Sound Accessories

Live Sound Snakes
Proco Snakes
See More Live Sound Snakes
Live Sound Equipment Bags
World Tour Bags
See More Live Sound Equipment Bags
Equipment Cases
Mixer Cases
Microphone Cases
See More Equipment Cases
Equipment Carts
Rock N Roller Carts
See More Equipment Carts
SPL Meters and Analyzers
dbx DriveRack RTAM
See More SPL Meters and Analyzers

Pages

Sound Equ

dbx 266XS Dual Compressor and Gate

Features

dbx 223S Crossover (Stereo 2-Way, Mono 3-Way)

dbx 223S Stereo 2-Way/Mono 3-Way Crossover Features

dbx AFS224 Feedback Eliminator

Features

dbx 1066 Dual Compressor Limiter Gate

dbx 131S 31-Band Graphic EQ

Features

dbx 234S Crossover (Stereo 2- or 3-Way, Mono 4-Way)

Features

dbx 1215 Dual 15-Band Graphic Equalizer

dbx Driverack RTA-M Real Time Analyzer Microphone

dbx 234XS Crossover (Stereo 2- or 3-Way, Mono 4-Way)

Features

dbx 286S Microphone Preamplifier

Features

dbx 2231 Dual 31-Band Graphic Equalizer

Features:

dbx 231S Dual 31-Band Graphic Equalizer

Features

Mackie Thump TH-15A 2-Way Active Loudspeaker (400 Watts, 1x15")

Features:

Behringer B212D Powered Speaker (550 Watts, 1x12")

Features:

QSC GX7 Power Amplifier (1000 Watts)

Features:

PreSonus StudioLive 18sAI Active Subwoofer Speaker (1000 Watts, 1x18")

Features:

Behringer B1500D PRO Eurolive Active Subwoofer (1400 Watts, 1x15")

Features

Gemini GVX-SUB12P Powered Subwoofer (1200 Watts, 1x12")

Features

Yamaha DSR118W Powered Subwoofer (800 Watts, 1x18")

Features

http://awseb.blogspot.in/p/sound-equipment.html

Features

Mackie SRM1801 Powered Subwoofer (1000 Watts, 1x18")

Specifications

Behringer B1800D PRO Eurolive Active Subwoofer (1400 Watts, 1x18")

Features

QSC KW181 Powered Subwoofer (1000 Watts, 1x18")

Features:

YAMAHA 02R96VCM

Features

YAMAHA DM1000VCM

Features

YAMAHA DM2000VCM

Features

YAMAHA LS9

features

YAMAHA M7CL

Features

PM5D V2, PM5D-EX

Features

PM1D Digital Mixing System

YAMAHA CL SERIES

yamaha 01V96i

YAMAHA PM5D or PM5D-RH

A Choice of Head Amps: PM5D or PM5D-RH

Versatile Configuration with Flexible I/O Patching Capability

PM5D-EX Expanded Digital Mixing System for Double I/O Capacity and Processing Power

Open Architecture for Flexible Live Sound and Recording

Virtual Soundcheck Capability

96-kHz Processing for Superior Sound and Response

Advanced Analog Circuitry, Including Top-quality Head Amps

Extensive Channel and Output Functions

Eight Effect Processors and 12 Graphic EQs

Optimized for Live Sound Applications

Software Built on the PM1D Experience

Crown XTi1002 Power Amplifier with DSP, 1400 Watts

Crown XTi2002 Power Amplifier with DSP, 2000 Watts

Crown XLS 2000 Power Amplifier (2000 Watts)

Crown XTi6002 Power Amplifier with DSP, 6000 Watts

Crown XLS 2500 Power Amplifier (2400 Watts)

Crown XTi4002 Power Amplifier with DSP, 3200 Watts

Crown XLS 1500 Power Amplifier, 1500 Watts

Crown XLS 1000 Power Amplifier, 1000 Watts